The Complete Works of William Shakespeare, Volume 14Harper, 1908 |
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Page xx
... . 1597 Quarto we have : In the " Rom . And come she will . Fr. I gesse she will indeed , Youths love is quicke , swifter than swiftest speed . Enter Juliet somewhat fast , and embraceth Romeo . See [ xx ] ROMEO AND JULIET.
... . 1597 Quarto we have : In the " Rom . And come she will . Fr. I gesse she will indeed , Youths love is quicke , swifter than swiftest speed . Enter Juliet somewhat fast , and embraceth Romeo . See [ xx ] ROMEO AND JULIET.
Page xxi
... Enter Juliet . Here comes the Lady , Oh so light a foote Will nere weare out the everlasting flint , A lover may bestride the gossamours , That ydeles in the wanton sommer ayre , And yet not fall , so light is vanitie . ” Whoever , I ...
... Enter Juliet . Here comes the Lady , Oh so light a foote Will nere weare out the everlasting flint , A lover may bestride the gossamours , That ydeles in the wanton sommer ayre , And yet not fall , so light is vanitie . ” Whoever , I ...
Page 2
... play opens with the words " Actus Primus . Scoena Prima . " The scenic subdivisions , as well as the list of dramatis personæ , were first supplied by Rowe in 1709 . CHORUS T PROLOGUE ' , Enter CHORUS WO HOUSEHOLDS , DRAMATIS PERSONE1.
... play opens with the words " Actus Primus . Scoena Prima . " The scenic subdivisions , as well as the list of dramatis personæ , were first supplied by Rowe in 1709 . CHORUS T PROLOGUE ' , Enter CHORUS WO HOUSEHOLDS , DRAMATIS PERSONE1.
Page 3
William Shakespeare Sir Sidney Lee. CHORUS T PROLOGUE ' , Enter CHORUS WO HOUSEHOLDS , BOTH alike in dignity , In fair Verona , where we lay our scene , From ancient grudge break to new mutiny , Where civil blood makes civil hands ...
William Shakespeare Sir Sidney Lee. CHORUS T PROLOGUE ' , Enter CHORUS WO HOUSEHOLDS , BOTH alike in dignity , In fair Verona , where we lay our scene , From ancient grudge break to new mutiny , Where civil blood makes civil hands ...
Page 4
... Two hours seem to have been a conventional estimate of the length of a dramatic performance , but that period was probably often exceeded . 10 A PUBLIC PLACE Enter SAMPSON and GREGORY , of the [ 4 ] ROMEO AND JULIET PROLOGUE.
... Two hours seem to have been a conventional estimate of the length of a dramatic performance , but that period was probably often exceeded . 10 A PUBLIC PLACE Enter SAMPSON and GREGORY , of the [ 4 ] ROMEO AND JULIET PROLOGUE.
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Aaron art thou banished Bassianus Benvolio blood brother Chiron dead dear death Demetrius doth early editions read earth Elizabethan emperor empress Enter Exeunt Exit eyes fair Farewell father fear Friar Laurence gentle give gone Goths grave grief hand hath heart heaven hither honour infra Juliet kinsman kiss LADY CAPULET Lavinia live look lord Lucius madam Mantua MARC Marcus married Mercutio mistress Montague murder night noble NURSE Ovid Paris play poems prince quarrel revenge Roman Rome Romeo Romeo and Juliet Rosaline Saturninus SCENE Scythia Second Quarto Shakespeare slain Sonnet sons sorrow speak supra sweet sword Tamora tears tell Tereus thee thine thou art thou hast thou wilt Titus Andronicus tomb tongue tragedy-of-blood tribunes Tybalt Venus and Adonis villain weep word