The Missouri Harmony, Or, A Collection of Psalm and Hymn Tunes, and Anthems: An Introduction to the Grounds and Rudiments of Music

Front Cover
U of Nebraska Press, 1994 - 240 pages
The Missouri Harmony was the most popular of all frontier tunebooks, with a history going back to 1820, when singing master Allen Carden introduced it into his St. Louis school. The 185 selections in The Missouri Harmony, compiled from earlier tunebooks, were old favorites used in churches and singing schools which sometimes convened in taverns. Abraham Lincoln and his sweetheart, Ann Rutledge, are said to have sung from The Missouri Harmony at her father's tavern in New Salem, Illinois.

Shirley Bean points out in her introduction the importance of tunebooks and frontier singing schools in teaching Americans to read music. The Missouri Harmony, continuing the European tradition of shaped notes, contained the largest collection of compositions for congregations and choirs. Carden included thirty-seven fuguing tunes, among them "Lenox" and "Sherburne." The Supplement, added in the seventh edition in 1835, contains twenty-three hymn tunes, four choral numbers, a sacred song, and a duet; Isaac Watts was the author of most of the texts.

This Bison Book edition duplicates the 1846 reprint of the popular ninth edition, which first came out in 1840. Shirley Bean's introduction provides a historical framework that will be welcomed not only by scholars but also by the modern shape-note singing community.

From inside the book

What people are saying - Write a review

LibraryThing Review

User Review  - vickila49 - LibraryThing

Reproduction of 1840 edition. It was published for 38 years. "The Quintessential frontier tune book." First introduced in St. Louis in 1820. Mr Carden compiled tunes from " The Musical Instructor ... Read full review

Selected pages

Contents

Section 1
1
Section 2
17
Section 3
45
Section 4
47
Section 5
63
Section 6
66
Section 7
68
Section 8
69
Section 18
144
Section 19
146
Section 20
159
Section 21
163
Section 22
170
Section 23
178
Section 24
182
Section 25
184

Section 9
74
Section 10
77
Section 11
90
Section 12
102
Section 13
112
Section 14
127
Section 15
138
Section 16
141
Section 17
142
Section 26
187
Section 27
194
Section 28
200
Section 29
29
Section 30
32
Section 31
34
Section 32
35
Copyright

Other editions - View all

Common terms and phrases

About the author (1994)

Dr. Bean is an assistant professor at the Conservatory of Music, University of Missouri-Kansas City.

Bibliographic information