The great neceffity and benefit of Travel are properly recommended, and marked by apt phrafe, in the first fpeech here; which opening, with the addition of a few other paffages, feems to promife more than, I am forry to fay, the rest of the piece is refponfible for. And it is this circumstance which has induced the critics to fufpect this Play not to have been originally one of Shakespeare's, but only revised and enriched with fragments, by him; as it may be deemed to be not a jewel, but only a lump of paste, fet round with sparks, Valentine. Ceafe to perfuade, my loving Protheus; The tenderness and folicitudes of friendship are well and fondly expreffed in the reply Protheus. Wilt thou be gone? Sweet Valentine, adieu ;- Some rare note-worthy object in thy travel With me partaker in thy happiness, When thou doft meet good hap; and in thy danger, Commend thy grievance to my holy prayer; For I will be thy bead's-man, Valentine. If ever danger do environ thee-This line ftrikes me with a peculiar beauty. Protheus defires to be confidered as a fharer in his friend's weal or woe, during absence; the first he mentions without any reserve, Wish me partaker in thy happiness, When thou doft meet good hap But when he comes to speak of the latter, he appears to catch himself up, as if alarmed even at the idea of his danger, and feems to have begun his prayers for him, already. • Forming neither manners, nor character. But But not to quit the first subject hinted above, only to re-affume it again, I fhall introduce a speech from the fourth Scene following, though fomewhat out of its place, here; where Panthion, fpeaking to the father of Protheus, tells him the opinion of another perfon about him and his fon. Panthion. He wondered that your lordship Would suffer him to fpend his life at home, He faid that Protheus, your fon, was meet; To let him fpend his time no more at home; I have confidered well his lofs of time, And how he cannot be a perfect man, And perfected by the fwift courfe of time. But to return to the firft Scene, again. In this and many of the fubfequent ones, the feveral parts of which fhall be quoted as they follow in order, to prevent the interruption of the fubject, our Author has truly defcribed the nature, the effects, the anxieties, the weakneffes, the extravagancies, and the miseries, of the paffion of love, moft philofophically, poetically, and experimentally. Valentine, perfuading Protheus to quit his mif If haply won, perhaps an hapless gain; Would not flow be a fitter word, in this place Love is your mafter, for he masters you ; Methinks should not be chronicled for wife. Valentine. And writers fay, as the most forward bud Protheus, alone. He after honour hunts, I after love; Valentine, after his falling in love, to Protheus: I have done penance for contemning love; Love hath chaced fleep from my enthralled eyes, There is no woe to his correction; Nor to his fervice, no fuch joy on earth. Now can I break my faft, dine, fup, and fleep, Call her divine. Julia and Lucetta. A true devoted Pilgrim is not weary To measure kingdoms with his feeble steps; Much lefs fhall fhe, who hath love's wings to fly. By longing for that food fo long a time. [Scene vii. Lucetta. I do not feek to quench your love's hot fire, Left it should burn above the bounds of reason. Julia. The more thou damm'ft it up, the more it barns→→→ Thou knoweft, being flopped, impatiently doth rage; But when his fair courfe is not hindered, He makes sweet music with the enamelled ftones, - He overtaketh in his pilgrimage And fo by many winding nooks he ftrays, [Scene *. There are two other paffages in this Play, which I have not included among the above number of quotations; because, though they relate to the fame fubject, yet not falling within the description of the paffion, but the artful or finifter conduct of it, only, I have reserved to a place by themselves. The first is, where Valentine replies to the Duke, who afks his advice how to gain a coy mistress. Win her with gifts, if the refpe&t not words; Dumb jewels often, in their filent kind, More than quick words do move a woman's mind. [A& iii. Scene ii. The second is in the fifth Scene following the above, where the most effectual, but baseft method for curing a woman's love, that can be devised, is there pointed out: Duke to Protheus. What might we do to make the girl forget Therefore it must with circumftance be spoken, ACT V. SCENE IV. In the first speech here, Valentine makes a reflec tion, which cannot be too often marked to us, upon the powerful effect of use or habit over the mind of of man. Second nature is more than a match even for the firft. In this philofophy lie the manifeft and manifold advantages of a good education, which alone forms the different manners allotted to the sexes, rendering men brave, and preserving women chafte. Exchange but the point of honour between them, and you fill the world with amazons and daftards. How ufe doth breed a habit in a man! This fhadowy defart, unfrequented woods, I better brook than flourishing peopled towns. And to the nightingale's complaining notes In the fame Scene he expreffes himself moft af fectingly, upon difcovering the faithlefsnefs of his friend, and displays a noble and a generous nature, in his ready forgiveness, on the other's as prompt penitence. Thou treacherous man! Thou haft beguiled my hopes; nought but mine ye I'm forry I must never trust thee more, I tender it here; I do as truly fuffer, Valentine. Then I am paid; And once again I do receive thee honest. Is nor of beaven, nor earth. SCENE V. and laft. The Duke. Now, by the honour of my ancestry, Know |