The above is one of Shakespeare's juft delineations of human nature. That fpirit which could not be fubdued by any perfonal difficulty or danger, becomes fuddenly abated, on the mortification arifing from the fhame and vice of one fo nearly and dearly allied to him. upon our I have been much obliged, throughout this Work, to the Commentators, for not having noted many fuch paffages as this. They have rarely touched Author's anatomy of human nature, contenting themselves, like fculptors, or painters, with only marking its outward form, its colours and proportions; the veins, arteries, and finer capillaries of the inward man, remaining often undiffected. SCENE VII. Here the good duke, upon the occafion of his wife's ignominy and penance, makes a reflection on the general nature of human life, which he illuftrates with an apt allusion : Gloucefler. Thus fometimes hath the brighteft day a cloud; The barren winter, with his nipping cold; So cares and joys abound, as seasons fleet, Juft after this, he fpeaks of the unhappy woman with a moving tenderness; and concludes his fpeech with a defcription frequently given by Shakespeare, of the base nature of the whiffling multitude: Unneath may the endure the flinty streets, With envious looks ftill laughing at thy fhame, ACT III. SCENE VII. The following paffage needs no comment. King. What ftronger breast-plate than a heart untainted? Unneath, hardly, or scarcely; a Saxon or Norman adverb. And And he but naked, though locked up in fteel, This whole fcene is fo juftly commended by all the critics, that I shall give it to the Reader intire. The King, Salisbury, and Warwick, ftanding by. the Cardinal, on his fick-bed. King. How fares my lord? Speak, Beaufort, to thy fovereign. If thou beeft Death, I'll give thee England's treasure, So thou wilt let me live, and feel no pain. Where death's approach is seen so terrible! Warwick. Beaufort, it is thy fovereign speaks to thee. Warwick. See how the pangs of death do make him writhe! *Raving of Humphrey, whom he had caufed to be murdered, The The above scene clofes, very properly, with a truly Christian fentiment, by the King, who is, all through, represented by Shakespeare as a religious, moral, domeftic, eafy-tempered man; Famed for mildness, peace, and prayer * : Juft fuch a prince, whofe very goodness, for want of fenfe and spirit, muft ever render the dupe of Minifters, and the sport of Faction. No document, no example, are fo effectual a warning to the mind, as the view of a wicked perfon in his last moments. This fpeaks to the heart, as well as to the understanding. We then fee things and actions in their true light, which the falfe glare of gain or pleasure, or the involved and complicated nature of fin, are but too apt to hide from our notice. Vice would difguft even those that practise it, if they did not ufe arts to conceal the vilenefs of it from their own view. We drink liquors out of a cup, which are too foul to bear a glass. He who has betrayed a friend, deceived a mistress, wronged the orphan, or oppreffed the poor, muft furely never have feen a penitent on his death-bed! What defperate madness, then, muft it be, ever to do a deed, for any advantage in life, which after so fhort-fo very short-a fpace of time, we would give a galaxy of worlds to have undone again! This is the only way of rendering dramatic deaths profitable to the fpectators. All the pantomime contortions, writhings, and flouncings, of modern representations, cannot poffibly produce fuch an effect on the audience, as this fingle expreffion, He dies, end makes no fign. King. Was ever king that joyed an earthly throne, Third Part. But But I was made a king at nine months old, Shakespeare lays hold of every occafion that fairly prefents itself, to put his readers out of conceit with greatnefs. And, in truth, the state of kings in ge neral, even the happiest of them, who are undoubtedly those whofe power is limited, is not much to be envied. Their public care, if they rule alone, or their private hazard, if they depute the helm, must deny them ease, the only foundation for earthly happiness or enjoyment to reft upon. Kings may, in fome fort, be compared to Popish idols, which are worshipped and led about in pageant proceffion, for the purpose of procuring fome partial wifh of the people; which if not obtained, however unreafonable the petition, they are then fcourged, and laid by in difgrace. |