Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 125
... woman but an unmarried woman , without husband or heirs . One member of Parliament in 1559 spoke for them all when he opined that ' nothing can be more contrary to the public respects than that of the Princess , in whose marriage is ...
... woman but an unmarried woman , without husband or heirs . One member of Parliament in 1559 spoke for them all when he opined that ' nothing can be more contrary to the public respects than that of the Princess , in whose marriage is ...
Page 142
... woman in disguise suggests that this first stage , of personal risk and unaccustomed openness , must for her be only transitional . In essence she progresses from the self - love and self - pity of an Isabella to the sisterly love of ...
... woman in disguise suggests that this first stage , of personal risk and unaccustomed openness , must for her be only transitional . In essence she progresses from the self - love and self - pity of an Isabella to the sisterly love of ...
Page 147
... woman , and a real marriage , to parallel the love his brother has found , and which is so deftly described by Rosalind : ' they [ have ] made a pair of stairs to marriage , which they will climb incontinent , or else be incontinent ...
... woman , and a real marriage , to parallel the love his brother has found , and which is so deftly described by Rosalind : ' they [ have ] made a pair of stairs to marriage , which they will climb incontinent , or else be incontinent ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young