Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 5
... tion of rites and motives will influence such Shakespearean characters as Desdemona , Cordelia and Cressida in their transi- tion from one stage to another . Similarly death and mourning , which we might consider to be self - evidently ...
... tion of rites and motives will influence such Shakespearean characters as Desdemona , Cordelia and Cressida in their transi- tion from one stage to another . Similarly death and mourning , which we might consider to be self - evidently ...
Page 12
... tion of language as one mark of a stage in personal maturity ( ' I spake as a child ' ) may once more remind us of Jaques's seven ages , and it is clear that changes in speech , or even the acquisi- tion of entire new languages , are ...
... tion of language as one mark of a stage in personal maturity ( ' I spake as a child ' ) may once more remind us of Jaques's seven ages , and it is clear that changes in speech , or even the acquisi- tion of entire new languages , are ...
Page 178
... tion and truth , in this case by endlessly delaying the true story of the Gad's Hill robbery ; as Hal goes on to observe , ' Mark now how a plain tale shall put you down ' ( 256–7 ) . And just as ' false compare ' signifies a failure in ...
... tion and truth , in this case by endlessly delaying the true story of the Gad's Hill robbery ; as Hal goes on to observe , ' Mark now how a plain tale shall put you down ' ( 256–7 ) . And just as ' false compare ' signifies a failure in ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young