Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 233
... stage , as well as in the person who ' dies ' and is ' reborn ' . But there are , after all , many major characters who face the final crisis and do not come back . Most obviously this is true of the protagonists of tragedy , for whom ...
... stage , as well as in the person who ' dies ' and is ' reborn ' . But there are , after all , many major characters who face the final crisis and do not come back . Most obviously this is true of the protagonists of tragedy , for whom ...
Page 236
... stage be placed to the view ' ( v . ii . 379-80 ) . The stage from which they are to be regarded , of course , is simultaneously playhouse and platform . But then Horatio goes on , in effect , to summarize his story to the ' yet ...
... stage be placed to the view ' ( v . ii . 379-80 ) . The stage from which they are to be regarded , of course , is simultaneously playhouse and platform . But then Horatio goes on , in effect , to summarize his story to the ' yet ...
Page 239
... stage that we cannot even cry out and expect to be heard . We are thus as surely victims of the play , as the play's protagonists are victims of its actions . But if we are its victims , we are also its survivors , and its celebrants ...
... stage that we cannot even cry out and expect to be heard . We are thus as surely victims of the play , as the play's protagonists are victims of its actions . But if we are its victims , we are also its survivors , and its celebrants ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young