Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 97
... soliloquies which are his most striking mode of utterance in Acts 1 through IV are not present in Act v , which marks his return from England . The soliloquies themselves are highly inwrought structures , distinguished by long series of ...
... soliloquies which are his most striking mode of utterance in Acts 1 through IV are not present in Act v , which marks his return from England . The soliloquies themselves are highly inwrought structures , distinguished by long series of ...
Page 101
... soliloquy , not only because he appears alone before us , but also because of a superb oratorical style by which he manipulates the offstage audience as easily as he will , in the next scene , manipulate the Lady Anne . The soliloquy ...
... soliloquy , not only because he appears alone before us , but also because of a superb oratorical style by which he manipulates the offstage audience as easily as he will , in the next scene , manipulate the Lady Anne . The soliloquy ...
Page 204
... soliloquies , from excessive adulation of his father ( and an equation of incest with sexuality ) toward a criticism and even rejection of his father in the fourth soliloquy , and a final union with Gertrude in death , thus fulfilling ...
... soliloquies , from excessive adulation of his father ( and an equation of incest with sexuality ) toward a criticism and even rejection of his father in the fourth soliloquy , and a final union with Gertrude in death , thus fulfilling ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young