Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 17
... present our roles and the scene we are playing'.31 But the most influential use of theatrical terminology for the analysis of human behavior has probably been that of the sociologist Erving Goffman . In The Presentation of Self in ...
... present our roles and the scene we are playing'.31 But the most influential use of theatrical terminology for the analysis of human behavior has probably been that of the sociologist Erving Goffman . In The Presentation of Self in ...
Page 80
... present participle of fari , to speak.1 In Shakespeare's plays infancy is often defined in just this way , by its lack of speech ; we may think of Jaques ' ' infant , / Mewling and puking in the nurse's arms ' ( AYLI 11. vii . 142—3 ) ...
... present participle of fari , to speak.1 In Shakespeare's plays infancy is often defined in just this way , by its lack of speech ; we may think of Jaques ' ' infant , / Mewling and puking in the nurse's arms ' ( AYLI 11. vii . 142—3 ) ...
Page 117
... present tense ( as , ' I do take thee for my wife ' ) . This second kind of promise , in the present tense , was considered by ecclesiastical law to be a binding legal marriage , which would invalidate a later church wedding to another ...
... present tense ( as , ' I do take thee for my wife ' ) . This second kind of promise , in the present tense , was considered by ecclesiastical law to be a binding legal marriage , which would invalidate a later church wedding to another ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young