Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 121
... facts of sexual and marital behavior . The nobles and the upper classes must have known both fact and art , and perhaps like the lords in Love's Labor's Lost - allowed the - latter to influence the former . But despite the appeal ...
... facts of sexual and marital behavior . The nobles and the upper classes must have known both fact and art , and perhaps like the lords in Love's Labor's Lost - allowed the - latter to influence the former . But despite the appeal ...
Page 214
... fact that each of us will die . But at the same time , by the very nature of the dramatic solu- tions he proposes , he does more . As in the sonnets , he sug- gests ways in which art - the act of writing and playing - can confront and ...
... fact that each of us will die . But at the same time , by the very nature of the dramatic solu- tions he proposes , he does more . As in the sonnets , he sug- gests ways in which art - the act of writing and playing - can confront and ...
Page 220
... fact , Juliet not only comes to terms with her own mortality , but in effect reverses the very conditions of life and death . She kisses Romeo's lips , hoping to find there ' some poison [ that ] yet doth hang on them / To make me die ...
... fact , Juliet not only comes to terms with her own mortality , but in effect reverses the very conditions of life and death . She kisses Romeo's lips , hoping to find there ' some poison [ that ] yet doth hang on them / To make me die ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young