Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
From inside the book
Results 1-3 of 30
Page 33
... described in natural metaphors of fruit or animal twinning ; all imply a springtime landscape commensurate with the youth and incipient maturation of their subjects ; all assert , with an insistence almost polemical , the innocence of ...
... described in natural metaphors of fruit or animal twinning ; all imply a springtime landscape commensurate with the youth and incipient maturation of their subjects ; all assert , with an insistence almost polemical , the innocence of ...
Page 61
... described as ' young ' ; he is untried , an uninitiated novice , and there is in Antony's phrase ' no Rome of safety ' for him yet ( III . i . 289 ) . It is not until the fourth act that he appears , still patronized by Antony : ' Octa ...
... described as ' young ' ; he is untried , an uninitiated novice , and there is in Antony's phrase ' no Rome of safety ' for him yet ( III . i . 289 ) . It is not until the fourth act that he appears , still patronized by Antony : ' Octa ...
Page 77
... described as a ' princely novice ' who never lived to rule ( RIII 1. iv . 225 ) ; according to Petruchio his fellow suitors are novices in love ( Shr . II . i . 304 ) , and the virginal Isabella in Measure for Measure is appropriately ...
... described as a ' princely novice ' who never lived to rule ( RIII 1. iv . 225 ) ; according to Petruchio his fellow suitors are novices in love ( Shr . II . i . 304 ) , and the virginal Isabella in Measure for Measure is appropriately ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young