Coming of Age in Shakespeare |
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Page 215
rite , Aeneas takes the golden bough into the land of the dead , as a talisman
assuring him the right to return to earth ; and Hamlet might be said to make a
similar use of his father ' s signet ring , which protects him from the death
intended for ...
rite , Aeneas takes the golden bough into the land of the dead , as a talisman
assuring him the right to return to earth ; and Hamlet might be said to make a
similar use of his father ' s signet ring , which protects him from the death
intended for ...
Page 225
Obsessively grieving for her dead brother ( or , in Valentine ' s suggestive phrase
, for ' a brother ' s dead love ' – 1 . i . 32 ) , Olivia paces her chamber ' like a
cloistress . . . veiled ' ( 29 ) until she falls in love with Viola - Cesario and consents
to ...
Obsessively grieving for her dead brother ( or , in Valentine ' s suggestive phrase
, for ' a brother ' s dead love ' – 1 . i . 32 ) , Olivia paces her chamber ' like a
cloistress . . . veiled ' ( 29 ) until she falls in love with Viola - Cesario and consents
to ...
Page 232
Lear with Cordelia dead in his arms . ' Cordelia is death . Reverse the situation
and it becomes intelligible and familiar to us – the Death - goddess bearing away
the dead hero from the place of battle , like the Valkyr in German mythology .
Lear with Cordelia dead in his arms . ' Cordelia is death . Reverse the situation
and it becomes intelligible and familiar to us – the Death - goddess bearing away
the dead hero from the place of battle , like the Valkyr in German mythology .
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Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
COMPARISON AND DISTINCTION | 174 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language lines live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother murder nature never night observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy turn twinned virginity wife woman women York young