Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 23
... characters who do grow and change in the course of the plays . Not only are they more complex , they are also closer to our own challenges and our own experience - to the questions we pose for ourselves about the problems of life and ...
... characters who do grow and change in the course of the plays . Not only are they more complex , they are also closer to our own challenges and our own experience - to the questions we pose for ourselves about the problems of life and ...
Page 86
... characters choose to denote appro- priate and straightforward language . Because of the meanings imparted to that word by modern critics in their discussions of the sixteenth - century lyric , it may be useful so as to avoid ...
... characters choose to denote appro- priate and straightforward language . Because of the meanings imparted to that word by modern critics in their discussions of the sixteenth - century lyric , it may be useful so as to avoid ...
Page 188
... characters who are not licensed fools frequently discover that to make oneself a mirror , or to perceive another in ... characters . Much more complex and disturbing is the situation in which one character deliberately sets himself up to ...
... characters who are not licensed fools frequently discover that to make oneself a mirror , or to perceive another in ... characters . Much more complex and disturbing is the situation in which one character deliberately sets himself up to ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young