Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 24
... actions in the past , because the bonds of love and blood which bind her to him are not susceptible to change by reason ... action in speaking , and her willingness to speak to the question behind the question , mark a change , if not in ...
... actions in the past , because the bonds of love and blood which bind her to him are not susceptible to change by reason ... action in speaking , and her willingness to speak to the question behind the question , mark a change , if not in ...
Page 53
... action ; moreover , the inci- dent takes place offstage , and is retold by the son , rather than presented directly to the audience . This dislocation places dra- matic emphasis , not upon the filial recognition scene , but on the son's ...
... action ; moreover , the inci- dent takes place offstage , and is retold by the son , rather than presented directly to the audience . This dislocation places dra- matic emphasis , not upon the filial recognition scene , but on the son's ...
Page 240
... action . When Aufidius promises that Coriolanus ' shall have a noble memory ' , it is only the audience which can keep his promise , and the nobility of this role is insisted upon : Let us haste to hear it , And call the noblest to the ...
... action . When Aufidius promises that Coriolanus ' shall have a noble memory ' , it is only the audience which can keep his promise , and the nobility of this role is insisted upon : Let us haste to hear it , And call the noblest to the ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young