Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 66
... Prince Hal tries on a variety of names . Scornfully described by Hotspur as the ' sword - and - buck- ler Prince of Wales ' ( 1. iii . 228 ) and the ' nimble - footed madcap Prince of Wales ' ( IV . i . 94 ) , both belittlings of his ...
... Prince Hal tries on a variety of names . Scornfully described by Hotspur as the ' sword - and - buck- ler Prince of Wales ' ( 1. iii . 228 ) and the ' nimble - footed madcap Prince of Wales ' ( IV . i . 94 ) , both belittlings of his ...
Page 178
... prince ' ( 1HIVI . ii . 80–2 ) , Falstaff complains , while after the Gad's Hill caper Hal successfully engages his companion in a flouting match : Prince I'll be no longer guilty of this sin ; this sanguine coward , this bed - presser ...
... prince ' ( 1HIVI . ii . 80–2 ) , Falstaff complains , while after the Gad's Hill caper Hal successfully engages his companion in a flouting match : Prince I'll be no longer guilty of this sin ; this sanguine coward , this bed - presser ...
Page 195
... Prince Hal , whose youthful associations with thieves , topers and prostitutes are of such urgent concern to his father , the king . Despite the famous ' I know you all ' speech ( 1HIV 1. ii . 192–214 ) , with its assertion of a ...
... Prince Hal , whose youthful associations with thieves , topers and prostitutes are of such urgent concern to his father , the king . Despite the famous ' I know you all ' speech ( 1HIV 1. ii . 192–214 ) , with its assertion of a ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young