Coming of Age in ShakespeareMethuen, 1981 - 248 pages **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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Page 60
Marjorie B. Garber. bleeding while ' Caesar ' escapes the conspirators ' hands . Brutus feelingly invokes the doctrine of the king's two bodies : O , that we could come by Caesar's spirit , And not dismember Caesar ! But alas , Caesar ...
Marjorie B. Garber. bleeding while ' Caesar ' escapes the conspirators ' hands . Brutus feelingly invokes the doctrine of the king's two bodies : O , that we could come by Caesar's spirit , And not dismember Caesar ! But alas , Caesar ...
Page 61
... Caesar is mighty yet in fact , doubly mighty . The vengeful ghost stalks the battlefield , and a new Caesar , like a new phoenix , rises from the ashes of the old . - The stage is not long empty of a Caesar ; the play's first mention of ...
... Caesar is mighty yet in fact , doubly mighty . The vengeful ghost stalks the battlefield , and a new Caesar , like a new phoenix , rises from the ashes of the old . - The stage is not long empty of a Caesar ; the play's first mention of ...
Page 206
... Caesar of Antony and Cleopatra appears at first to be the direct opposite of his symbolic ' fathers ' , in this case the martial triad of Julius Caesar , Gneius Pompey , and in particular Antony himself . Caesar is an admin- istrator ...
... Caesar of Antony and Cleopatra appears at first to be the direct opposite of his symbolic ' fathers ' , in this case the martial triad of Julius Caesar , Gneius Pompey , and in particular Antony himself . Caesar is an admin- istrator ...
Contents
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Copyright | |
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acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young