ROM. Then move not, while my prayer's effect I take. Thus from my lips by thine my sin is purged. [Kissing her. JUL. Then have my lips the sin that they have took. ROM. Sin from my lips? O trespass sweetly urged! Give me my sin again. JUL. You kiss by the book. NURSE. Madam, your mother craves a word with you. ROM. What is her mother? NURSE. Marry, bachelor, 110 Her mother is the lady of the house, And a good lady, and a wise and virtuous: I nursed her daughter, that you talk'd withal; Shall have the chinks. ROM. Is she a Capulet? O dear account! my life is my foe's debt. I thank you, honest gentlemen; good night. 108 by the book] by rule, methodically. Cf. I, iv, 39, supra. 115 the chinks] a colloquialism, which is still in use, for coin, money. 120 a. 120 Ah, sirrah, by my fay, it waxes late: I'll to my rest. JUL. Come hither, nurse. [Exeunt all but Juliet and Nurse. What is yond gentleman ? NURSE. The son and heir of old Tiberio. JUL. What's he that now is going out of door? NURSE. Marry, that, I think, be young Petruchio. JUL. What's he that follows there, that would not dance? NURSE. I know not. JUL. Go ask his name. If he be married, My grave is like to be my wedding bed. NURSE. His name is Romeo, and a Montague, JUL. My only love sprung from my only hate! A rhyme I learn'd even now Of one I danced withal. Come, let's away; the strangers all are gone. [Exeunt. 124 by my fay] by my faith. 130 140 Enter Chorus That fair for which love groan'd for and would die, With tender Juliet match'd, is now not fair. Now Romeo is beloved and loves again, Alike bewitched by the charm of looks, But to his foe supposed he must And she steal love's sweet bait from fearful hooks: PROLOGUE] See note on Act I, Prologue, 1-14. 2 gapes] yearns, longs. 3 That fair] That beauty. The second "for" in this line is redundant. To breathe such vows as lovers use to swear; [Exit. SCENE I-A LANE BY THE WALL OF CAPULET'S ORCHARD Enter ROMEO, alone ROM. Can I go forward when my heart is here? Turn back, dull earth, and find thy centre out. [He climbs the wall, and leaps down within it. Enter BENVOLIO with MERCUTIO BEN. Romeo! my cousin Romeo! He is wise; And, on my life, hath stol'n him home to bed. BEN. He ran this way, and leap'd this orchard wall: Call, good Mercutio. MER. Nay, I'll conjure too. Romeo! humours! madman! passion! lover! Appear thou in the likeness of a sigh: Speak but one rhyme, and I am satisfied; 14 Tempering . . . sweet] Compensating for the extremity of the perils with the acme of pleasure. 2 dull earth] the earthlier portion of Romeo's being, of which the "centre" is his soul. Cf. Sonnet cxlvi, 1: "Poor soul, the centre of this sinful earth," and I, ii, 15, supra, and note. 7 humours] whimsical fancies. 10 Cry but "ay me!" pronounce but "love" and "dove;" 10 One nick-name for her purblind son and heir, BEN. An if he hear thee, thou wilt anger him. 11 gossip] crony. 13 Young Adam Cupid] Adam is Upton's emendation of the old reading Abraham. The change is supported by Much Ado, I, i, 223-224: "he that hits me let him be . . . called Adam” (i. e., a model marksman), in reference to the famous archer of ballad tradition, Adam Bell. Abraham is sometimes justified on the ground that the word was both used for the colour of “auburn” or “flaxen” hair, and was also applied to a beggarman. Both meanings might conceivably fit Cupid, but neither is relevant to the marksmanship with which he is credited here. Adam is probably the right reading. trim] Thus the First Quarto. The other early editions read true. But the words here are a quotation from the popular ballad of King Cophetua and the beggar-maid mentioned in the next line. That ballad has a stanza beginning with the line "The blinded boy that shoots so trim." 14 King Cophetua . . . beggar-maid] Shakespeare again refers to the popular ballad on this old tale in L. L. L., I, ii, 106, IV, i, 64, and 2 Hen. IV, V, iii, 106. 16 The ape] The poor fool; often used with a tender meaning. 20 |