one day a-week each of them in succession was a fool on purpose; and during this, he in his turn exhibited to ridicule, in allegorical representations, whatever folly he had noticed in himself or the rest, throughout the other six. This practice might be somewhat ruder than that constant training, in the course of which a man of ordinary morals is accustomed to observe, to warn, to punish himself daily; but it was also merrier and surer. For as no Child of Joy concealed his bosom-folly, so he and those about him held it for simply what it was: whereas, on the other plan, by the help of self-deception, this same bosom-folly often gains the head authority within, and binds down reason to a secret servitude, at the very time when reason fondly hopes that she has long since chased it out of doors. The mask of folly circulated round in this society; and each member was allowed, in his particular day, to decorate and characterise it with his own attributes or those of others. At the time of Carnival, they assumed the greatest freedom, vying with the clergy in attempts to instruct and entertain the multitude. Their solemn figurative processions of Virtues and Vices, Arts and Sciences, Quarters of the World, and Seasons of the Year, bodied forth a number of conceptions, and gave images of many distant objects to the people, and hence were not without their use; while, on the other hand, the mummeries of the priesthood tended but to strengthen a tasteless superstition, already strong enough.

Here again young Serlo was altogether in his element. Invention in its strictest sense, it is true, he had not; but, on the other hand, he had the most consummate skill in employing what he found before him; in ordering it; and shadowing it forth. His roguish turns; his gift of mimicry; his biting wit, which at least one day weekly he might use with entire freedom, even against his benefactors, made him precious, or rather indispensable, to the whole society.

Yet his restless mind soon drove him from this favourable scene to other quarters of his country, where other means of instruction awaited him. He came into the polished but also barren part of Germany, where, in worshiping the good and the beautiful, there is indeed no want of truth, but frequently a grievous want of spirit. His masks would here do nothing for him: he had now to aim at working on the heart and mind. For short periods, he attached himself to small or to extensive companies of actors; and marked, on these occasions, what were the distinctive properties both of the pieces and the players. The monotony which then reigned on the German theatre, the mawkish sound and cadence of their Alexandrines, the flat and yet distorted dialogue, the shallowness and commonness of these undisguised preachers of morality, he was not

long in comprehending; or in seizing, at the same time, what little there was that moved and pleased.

Not only single parts in the current pieces, but the pieces themselves remained easily and wholly in his memory; and along with them, the special tone of any player who had represented them with approbation. At length, in the course of his rambles, his money being altogether done, the project struck him of acting entire pieces by himself, especially in villages, and noblemen's houses; and thus in all places making sure at least of entertainment and lodging. In any tavern, any room, or any garden, he would accordingly at once set up his theatre: with a roguish seriousness and a show of enthusiasm, he would contrive to gain the imaginations of his audience; to deceive their senses, and before their eyes to make an old press into a tower, or a fan into a dagger. His youthful warmth supplied the place of deep feeling; his vehemence seemed strength, and his flattery tenderness. Such of the spectators as already knew a theatre, he put in mind of all that they had seen and heard; in the rest he awakened a presentiment of something wonderful, and a wish to be more acquainted with it. What produced an effect in one place he did not fail to repeat in others; and his mind overflowed with a wicked pleasure when, by the same means, on the spur of the moment, he could make gulls of all the world.

His spirit was lively, brisk and unimpeded: by frequently repeating parts and pieces, he improved very fast. Ere long he could recite and play with more conformity to the sense, than the models whom he had at first imitated. Proceeding thus, he arrived by degrees at playing naturally, though he did not cease to feign. He seemed transported, yet he lay in wait for the effect; and his greatest pride was in moving, by successive touches, the passions of men. The mad trade he drove did itself soon force him to proceed with a certain moderation; and thus, partly by constraint, partly by instinct, he learned the art of which so few players seem to have a notion, the art of being frugal in the use of voice and gestures.

Thus did he contrive to tame, and to inspire with interest for him, even rude and unfriendly men. Being always contented with food and shelter; thankfully accepting presents of any kind as readily as money; which latter, when he reckoned that he had enough of it, he frequently declined, he became a general favourite; was sent about from one to another with recommendatory letters; and thus he wandered many a day from castle to castle, exciting much festivity, enjoying much, and meeting in his travels with the most agreeable and curious adventures.

With such inward coldness of temper, he could not properly be

said to love any one; with such clearness of vision, he could respect no one. In fact, he never looked beyond the external peculiarities of men; and he merely carried their characters in his mimical collection. Yet withal his selfishness was keenly wounded, if he did not please every one, and call forth universal applause. How this might be attained, he had studied in the course of time so accurately, and so sharpened his sense of the matter, that not only on the stage, but also in common life, he no longer could do otherwise than flatter and deceive. And thus did his disposition, his talent and his way of life, work reciprocally on each other, till by this means he had imperceptibly been formed into a perfect actor. Nay, by a mode of action and reaction, which is quite natural, though it seems paradoxical, his recitation, declamation and gesture, improved, by critical discernment and practice, to a high degree of truth, ease and frankness; while, in his life and intercourse with men, he seemed to grow continually more secret, artful, or even hypocritical and constrained.

Of his fortunes and adventures we perhaps shall speak in another place it is enough to remark at present, that in later times, when he had become a man of circumstance, in possession of a distinct reputation, and of a very good though not entirely secure employment and rank, he was wont, in conversation, partly in the way of irony, partly of mockery, in a delicate style, to act the sophist, and thus to destroy almost all serious discussion. This kind of speech he seemed peculiarly fond of using towards Wilhelm; particularly when the latter took a fancy, as often happened, for introducing any of his general and theoretical disquisitions. Yet still they liked well to be together; with such different modes of thinking, the conversation could not fail to be lively. Wilhelm always wished to deduce everything from abstract ideas which he had arrived at; he wanted to have art viewed in all its connexions as a whole. He wanted to promulgate and fix down universal laws; to settle what was right, beautiful and good: in short, he treated all things in a serious manner. Serlo, on the other hand, took up the matter very lightly: never answering directly to any question, he would contrive by some anecdote or laughable turn, to give the finest and most satisfactory illustrations; and thus to instruct his audience while he made them merry.

CHAPTER XIX.

WHILE our friend was in this way living very happily, Melina and the rest were in quite a different case. Wilhelm they haunted like evil spirits; and not only by their presence, but frequently by rueful faces and bitter words, they caused him many a sorry moment. Serlo had not admitted them to the most trifling part, far less held out to them any hope of a permanent engagement; and yet he had contrived, by degrees, to get acquainted with the capabilities of every one of them. Whenever any actors were assembled in leisure hours about him, he was wont to make them read, and frequently to read along with them. On such occasions, he took plays which were by and by to be acted, which for a long time had remained unacted; and generally by portions. In like manner, after any first representation, he caused such passages to be repeated as he had anything to say upon; by which means he sharpened the discernment of his actors, and strengthened their certainty of hitting the proper point. And as a person of slender but correct understanding may produce more agreeable effect on others, than a perplexed and unpurified genius, he would frequently exalt men of mediocre talents, by the clear views which he imperceptibly afforded them, to a wonderful extent of power. Nor was it an unimportant item in his scheme, that he likewise had poems read before him in their meetings; for by these he nourished in his people the feeling of that charm, which a well-pronounced rhythm is calculated to awaken in the soul; whereas in other companies, those prose compositions were already getting introduced, for which any tyro was adequate.

On occasions such as these, he had contrived to make himself acquainted with the new-come players: he had decided what they were, and what they might be; and silently made up his mind to take advantage of their talents, in a revolution which was now threatening his own company. For a while he let the matter rest; declined every one of Wilhelm's intercessions for his comrades, with a shrug of the shoulders; till at last he saw his time, and altogether unexpectedly made the proposal to our friend, "that he himself should come upon the stage; that on this condition, the others too might be admitted."

"These people must not be so useless as you formerly described them," answered Wilhelm, " if they can now be all received at once; and I suppose their talents would remain the same without me as with me."

Under seal of secrecy, Serlo hereupon explained his situation: how his first actor was giving hints about a rise of salary at the renewal of their contract; how he himself did not incline conceding this, the rather as the individual in question was no longer in such favour with the public; how, if he dismissed him, a whole train would follow; whereby, it was true, his company would lose some good, but likewise some indifferent actors. He then showed Wilhelm what he hoped to gain in him, in Laertes, Old Boisterous, and even Frau Melina. Nay, he promised to procure for the silly Pedant himself, in the character of Jew, minister, but chiefly of villain, a decided approbation,

Wilhelm faltered; the proposal fluttered him; he knew not what to say. That he might say something, he rejoined, with a deep-drawn breath: “You speak very graciously about the good you find and hope to find in us: but how is it with our weak points, which certainly have not escaped your penetration?"

66

These," said Serlo, "by diligence, practice and reflection, we shall soon make strong points. Though you are yet but freshmen and bunglers, there is not one among you that does not warrant expectation more or less: for, so far as I can judge, no stick, properly so called, is to be met with in the company; and your stick is the only person that can never be improved, never bent or guided, whether it be self-conceit, stupidity, or hypochondria, that renders him unpliant."

The Manager next stated, in a few words, the terms he meant to offer; requested Wilhelm to determine soon, and left him in nc small perplexity.

In the marvellous composition of those travels, which he had at first engaged with as it were in jest, and was now carrying on in conjunction with Laertes, his mind had by degrees grown more attentive to the circumstances and the every-day life of the actual world, than it was wont. He now first understood the object of his father in so earnestly recommending him to keep a journal. He now, for the first time, felt how pleasant and how useful it might be to become participator in so many trades and requisitions, and to take a hand in diffusing activity and life into the deepest nooks of the mountains and forests of Europe. The busy trading town in which he was; the unrest of Laertes, who dragged him about to examine everything, afforded him the most impressive image of a mighty centre, from which everything was flowing out, to which everything was coming back; and it was the first time that his spirit, in contemplating this species of activity, had really felt delight. At such a juncture Serlo's offer had been made him; had again awakened his desires, his tendencies, his faith in