The Cinema of FrancePhil Powrie Wallflower Press, 2006 - 283 pages An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995). |
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Abel Gance actors Alain Resnais Alexandre Antoine audience banlieue Beineix Besson bout de souffle British Film Institute Cahiers du cinéma camera Carax Carné characters chien andalou cinéma du look cinéma français Claude Cléo Cléo's comedy Crime de Monsieur cultural dernière à Marienbad director Diva documentary edited Enfants du Paradis Eustache film's filmmaking France François Truffaut French cinema French film genre Haine interview Jacques Tati Jean de Florette Jean Renoir Jean-Luc Godard Jean-Pierre Jules Kassovitz L'Année dernière Lanzmann Le Samouraï Les Valseuses London Luis Buñuel Manchester University Press Marcel Melville Melville's Michel Monsieur Hulot Monsieur Lange narrative neige à Noël Nikita Paris Pierre play police political popular production putain Règle du jeu Reine Margot Rififi role Samouraï scene screen Screenplay Seghers sequence Serreau Shoah shot social spectator star story suggests Ugolin Un chien andalou Vacances de Monsieur Valseuses Varda Vincendeau Vinz violence Visiteurs visual Wave woman
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Page v - She has published over fifty essays in anthologies and journals on a wide range of theoretical, historical and aesthetic issues in cinema and video, art, cultural studies, feminist and psychoanalytic theory, and comparative literature.
Page ii - ... Continuity and Difference (editor, Oxford University Press, 1999), Jean-Jacques Beineix (Manchester University Press, 2001), French Cinema: An Introduction (coauthored with Keith Reader, Arnold, 2002), and The Cinema of France (editor, Wallflower Press, 2006). He is the co-editor of several anthologies: The Trouble with Men: Masculinities in European and Hollywood Cinema (Wallflower Press, 2004), Changing Tunes: The Use of Pre-existing Music in Film (Ashgate, 2005), Composing for the Screen in...