The Works of Shakespeare, Volume 2Macmillan and Company, limited, 1899 |
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William Shakespeare Charles Harold Herford. 822.8 553 1899 H5 The Everst THE WO OF SHAKESPE VOL . II.
William Shakespeare Charles Harold Herford. 822.8 553 1899 H5 The Everst THE WO OF SHAKESPE VOL . II.
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William Shakespeare Charles Harold Herford. INTRODUCTION Literary RECIPES for the management of wives were the theme Early of a series of popular plays during the last decade of History . Elizabeth's reign . Dekker and Chettle's Patient ...
William Shakespeare Charles Harold Herford. INTRODUCTION Literary RECIPES for the management of wives were the theme Early of a series of popular plays during the last decade of History . Elizabeth's reign . Dekker and Chettle's Patient ...
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William Shakespeare Charles Harold Herford. Sources of the Plot . consisted essentially in rewriting certain scenes of an older play , large portions of which were embodied , with little or no change , in the piece printed by his editors ...
William Shakespeare Charles Harold Herford. Sources of the Plot . consisted essentially in rewriting certain scenes of an older play , large portions of which were embodied , with little or no change , in the piece printed by his editors ...
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William Shakespeare Charles Harold Herford. her in the salted skin of an old horse belongs to a ruder school of humour than even Petruchio's suffi- ciently Boeotian fun . Somewhat nearer parallels are found both in the Spanish Conde ...
William Shakespeare Charles Harold Herford. her in the salted skin of an old horse belongs to a ruder school of humour than even Petruchio's suffi- ciently Boeotian fun . Somewhat nearer parallels are found both in the Spanish Conde ...
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William Shakespeare Charles Harold Herford. Petruchio the old friend of Hortensio , but a stranger to Lucentio and Tranio ( i . 2. ) . In iii . 2. , how- ever , it is Tranio ( in the rôle of Lucentio ) who bears himself as Petruchio's ...
William Shakespeare Charles Harold Herford. Petruchio the old friend of Hortensio , but a stranger to Lucentio and Tranio ( i . 2. ) . In iii . 2. , how- ever , it is Tranio ( in the rôle of Lucentio ) who bears himself as Petruchio's ...
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Common terms and phrases
Anne Antonio Baptista Bass Bassanio better Bianca Bion Biondello Caius daughter doth ducats Duke Enter Evans Exeunt Exit eyes F. W. H. MYERS fair Falstaff father fool gentle gentleman give Gremio hand hast hath hear heart heaven Herne the hunter honour Hortensio Host HUGH EVANS humour husband Illyria Jessica Kate Kath Katharina knave lady Laun Launcelot look lord Lucentio madam Malvolio marry Master Brook master doctor Merchant of Venice merry Mistress Ford never night Orlando Padua Petruchio Pist play Portia pray prithee Quarto Quick Re-enter Rosalind Salan SCENE Shakespeare Shal Shrew Shylock Signior Sir John Falstaff Sir Toby Slen speak swear sweet tell thee there's thou art Touch Tranio Venice wife woman word
Popular passages
Page 511 - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Page 149 - Shylock, we would have moneys : ' you say so ; You, that did void your rheum upon my beard And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say ' Hath a dog money ? is it possible A cur can lend three thousand ducats...
Page 223 - The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted.
Page 219 - The moon shines bright : — In such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise ; in such a night, Troilus, methinks, mounted the Trojan walls, And sigh'd his soul toward the Grecian tents, Where Cressid lay that night.
Page 179 - Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge?
Page 493 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons' difference : as the icy fang And churlish chiding of the winter's wind, Which when it bites and blows upon my body, Even till I shrink with cold, I smile and say, This is no flattery : these are counsellors That feelingly persuade me what I am.
Page 221 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines...
Page 361 - If music be the food of love, play on. Give me excess of it ; that surfeiting, The appetite may sicken, and so die. That strain again ; — it had a dying fall ( O, it came o'er my ear like the sweet sound That breathes upon a bank of violets, Stealing, and giving odour.
Page 395 - O fellow, come, the song we had last night: Mark it, Cesario; it is old and plain: The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
Page 398 - A blank, my lord. She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek: she pined in thought, And with a green and yellow melancholy She sat like patience on a monument, Smiling at grief.