The Works of Shakespeare ...Bobbs-Merrill Company, 1910 |
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Page viii
... II . and III . and Richard III . form a distinct and separate group . " She finds in all of them a singular resemblance to the writings of Marlowe , in their inhumanity and blood - thirstiness as much as in their versification and style ...
... II . and III . and Richard III . form a distinct and separate group . " She finds in all of them a singular resemblance to the writings of Marlowe , in their inhumanity and blood - thirstiness as much as in their versification and style ...
Page x
... II . ii . 122 ( in both ) , hence the alteration , due to careful work . Act I. Scene ii . About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ( I. ii . 26-34 ) . Two lines in this ...
... II . ii . 122 ( in both ) , hence the alteration , due to careful work . Act I. Scene ii . About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ( I. ii . 26-34 ) . Two lines in this ...
Page xi
... Richard's character shows further development in both plays ( 79-88 ) ... iii . 82 ) but in neither case in the Quartos . Stigmatic " ( 136 ) also ... III . iii . 189 , and in this play at III . ii . 171 . That is to say twice apiece , not ...
... Richard's character shows further development in both plays ( 79-88 ) ... iii . 82 ) but in neither case in the Quartos . Stigmatic " ( 136 ) also ... III . iii . 189 , and in this play at III . ii . 171 . That is to say twice apiece , not ...
Page xii
... iii . A short scene not much lengthened , but considerable transposition and alteration occurs . Malignant star " is ... Richard's soliloquy Needless to say it is entirely by Shakespeare . later on ( III . ii . ) . It is noticeable that ...
... iii . A short scene not much lengthened , but considerable transposition and alteration occurs . Malignant star " is ... Richard's soliloquy Needless to say it is entirely by Shakespeare . later on ( III . ii . ) . It is noticeable that ...
Page xiii
... II . iv . 5 in Q. Golding's Ovid is several times recalled . The constant identity of Warwick's speeches in the two texts is very noticeable , even to such poetic expressions as at 62 , a line readapted for Richard III . , as frequently ...
... II . iv . 5 in Q. Golding's Ovid is several times recalled . The constant identity of Warwick's speeches in the two texts is very noticeable , even to such poetic expressions as at 62 , a line readapted for Richard III . , as frequently ...
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Common terms and phrases
battle blood brother Clar Clarence Clif Clifford Compare Contention crown death Dict doth Duke of York Dyce Earl Enter King erle Exeunt Omnes Exit Faerie Queene father fight Folio France friends Gentlemen of Verona Glou Gloucester Golding's Ovid Grafton Greene Greene's Grey Grosart Hall hand hast hath haue heart hence Henry VI Henry's house of York King Edward King Henry Kyd's Kyng Lancaster Locrine Lord Love's Labour's Lost Lucrece March Marlowe Marlowe's Montague oath occurs omitted Q Oxford passage Peele Peele's Plantagenet play Prince Quarto quoted Rich Richard Richard III scene Shake Shakespeare shalt slain soldiers Soliman and Perseda Somerset sonne Spanish Tragedy speak speare speech Spenser sweet sword Tamburlaine tears tell thee thine thou Titus Andronicus True Tragedy unto Venus and Adonis viii Warwick words ΙΟ
Popular passages
Page 66 - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
Page 95 - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
Page 165 - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.