The Works of Shakespeare ...Bobbs-Merrill Company, 1910 |
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Page viii
... Marlowe , in their inhumanity and blood - thirstiness as much as in their versification and style - not necessarily his actual writing , but ( in Richard III . especially ) echoes of his voice . And she believed that Parts II . and III ...
... Marlowe , in their inhumanity and blood - thirstiness as much as in their versification and style - not necessarily his actual writing , but ( in Richard III . especially ) echoes of his voice . And she believed that Parts II . and III ...
Page ix
... Marlowe and Greene , merely premising that there is much less of any writer ( other than Shakespeare ) in Part III . , as well as in its foundation play , than was the case in Part II . and its early form . In The True Tragedy I see a ...
... Marlowe and Greene , merely premising that there is much less of any writer ( other than Shakespeare ) in Part III . , as well as in its foundation play , than was the case in Part II . and its early form . In The True Tragedy I see a ...
Page x
... Marlowe perhaps . Act I. Scene iii . Practically identical in the two copies . The last line in Q corrects the last in Folio . Act I. Scene iv . About fifteen lines are added to Q , mainly in York's first speech , where the Spenserian ...
... Marlowe perhaps . Act I. Scene iii . Practically identical in the two copies . The last line in Q corrects the last in Folio . Act I. Scene iv . About fifteen lines are added to Q , mainly in York's first speech , where the Spenserian ...
Page xi
... Marlowe ( " racking clouds , " 27 ) , and of Peele ( “ latest gasp , " 108 , " soul's prison , " 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) . Warwick , always all Shakespeare's , is ...
... Marlowe ( " racking clouds , " 27 ) , and of Peele ( “ latest gasp , " 108 , " soul's prison , " 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) . Warwick , always all Shakespeare's , is ...
Page xii
... Marlowe ( see notes ) . We have had many Golding parallels . Marlowe's " slicing sword " is from Golding . It is very interesting to meet here two lines ( 12-13 ) from 2 Henry VI . v . ii . 13. They are in First Contention , but not in ...
... Marlowe ( see notes ) . We have had many Golding parallels . Marlowe's " slicing sword " is from Golding . It is very interesting to meet here two lines ( 12-13 ) from 2 Henry VI . v . ii . 13. They are in First Contention , but not in ...
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Common terms and phrases
battle blood brother Clar Clarence Clif Clifford Compare Contention crown death Dict doth Duke of York Dyce Earl Enter King erle Exeunt Omnes Exit Faerie Queene father fight Folio France friends Gentlemen of Verona Glou Gloucester Golding's Ovid Grafton Greene Greene's Grey Grosart Hall hand hast hath haue heart hence Henry VI Henry's house of York King Edward King Henry Kyd's Kyng Lancaster Locrine Lord Love's Labour's Lost Lucrece March Marlowe Marlowe's Montague oath occurs omitted Q Oxford passage Peele Peele's Plantagenet play Prince Quarto quoted Rich Richard Richard III scene Shake Shakespeare shalt slain soldiers Soliman and Perseda Somerset sonne Spanish Tragedy speak speare speech Spenser sweet sword Tamburlaine tears tell thee thine thou Titus Andronicus True Tragedy unto Venus and Adonis viii Warwick words ΙΟ
Popular passages
Page 66 - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
Page 95 - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
Page 165 - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.