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A-Level action actor Antony appear approach Arden Edition audience become Caesar called century character Cleopatra comedy consider Cordelia course critics cultural death direction discussion drama effect Elizabethan English Enter evidence experience expression fact figure final function Ganymede give Hamlet Henry Hercules Hughes important interpretation Italy John kind King language Lear less lines literary Literature London Lucrece Macbeth means memory messenger metaphor myth nature never opening original particular performance play poet political possible practice present production question rape reading reality references relation Renaissance represented response Review rhetoric scene seems sense Shake Shakespeare speak stage story suggests teaching tells Tempest theatre theory traditional tragedy true turn visual voice whole writing written York
Shakespeare, Reception and Translation: Germany and Japan
Friedrike Von Schwerin-High
No preview available - 2004