Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 26
... present to the moralist and metaphysician a picture of a mind however uncultured and unpruned which had at the dawn of its knowledge taken a singular turn , and to leave out the early lineaments of its appearance would be to efface ...
... present to the moralist and metaphysician a picture of a mind however uncultured and unpruned which had at the dawn of its knowledge taken a singular turn , and to leave out the early lineaments of its appearance would be to efface ...
Page 92
... present tendencies into the future.87 This , however , is far too rationalistic a description . Rather , it is necessary to conclude that poets , in their intense state of want and their intensity of passion , are themselves embodiments ...
... present tendencies into the future.87 This , however , is far too rationalistic a description . Rather , it is necessary to conclude that poets , in their intense state of want and their intensity of passion , are themselves embodiments ...
Page 149
... present age have ... possessed this gift in a greater or lesser degree . . . .333 The metaphor of depth is prominent also in Shelley's own description of the developing introspective penetration of the writing of the period : It is ...
... present age have ... possessed this gift in a greater or lesser degree . . . .333 The metaphor of depth is prominent also in Shelley's own description of the developing introspective penetration of the writing of the period : It is ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staël suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth