Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 75
... originally intended as part of the ' Ode to Liberty ' ( 1820 ) ( N 229-36 ) : Within a cavern of man's trackless spirit Is throned an Image , so intensely fair That the adventurous thoughts that wander near it Worship , and as they ...
... originally intended as part of the ' Ode to Liberty ' ( 1820 ) ( N 229-36 ) : Within a cavern of man's trackless spirit Is throned an Image , so intensely fair That the adventurous thoughts that wander near it Worship , and as they ...
Page 175
... originally grew out of a study of a self - destroyed poet similar in many respects to the maniac of Julian and Maddalo . The weakness and , indeed , the destruction of the poet by the forces of his poetry begin to be emphasized more ...
... originally grew out of a study of a self - destroyed poet similar in many respects to the maniac of Julian and Maddalo . The weakness and , indeed , the destruction of the poet by the forces of his poetry begin to be emphasized more ...
Page 235
... originally included the assertion , ' [ these had their birth / He answered from the death of such as I ] ' . 28 Rousseau's status as both a maker and a destroyer , Christ and Cain , and his place in the genealogy of similar poet ...
... originally included the assertion , ' [ these had their birth / He answered from the death of such as I ] ' . 28 Rousseau's status as both a maker and a destroyer , Christ and Cain , and his place in the genealogy of similar poet ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth