Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 61
... literature since the classics . It is perhaps a mark of the influence of Madame de Staël herself that the view that modern literature was both introspective and sensitive com- pared to the ancient was a common dogma in the reviews . A ...
... literature since the classics . It is perhaps a mark of the influence of Madame de Staël herself that the view that modern literature was both introspective and sensitive com- pared to the ancient was a common dogma in the reviews . A ...
Page 63
... literature , and with it all hope of future regeneration , had come close to total extinction in the so - called dark ages . 103 Shelley conceived of literature in terms of power and consequently saw its relation to society more in ...
... literature , and with it all hope of future regeneration , had come close to total extinction in the so - called dark ages . 103 Shelley conceived of literature in terms of power and consequently saw its relation to society more in ...
Page 288
... Literature ; Urbana , Ill .: University of Illinois Press , 1965 ) . REISNER , THOMAS A. , " " Tabula Rasa " : Shelley's Metaphor of the Mind ' , Ariel : A Review of International English Literature , 4 , no . 2 ( 1973 ) , 90-102 ...
... Literature ; Urbana , Ill .: University of Illinois Press , 1965 ) . REISNER , THOMAS A. , " " Tabula Rasa " : Shelley's Metaphor of the Mind ' , Ariel : A Review of International English Literature , 4 , no . 2 ( 1973 ) , 90-102 ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staël suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth