Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 36
... introspective method . The place of the sensitivity of the individual mind in Shelley's science of mind stems from the fact that one of the most import- ant elements that Shelley derived from Hume's empiricism was also one in which ...
... introspective method . The place of the sensitivity of the individual mind in Shelley's science of mind stems from the fact that one of the most import- ant elements that Shelley derived from Hume's empiricism was also one in which ...
Page 121
... introspection as a source of fundamental knowledge of human nature.59 Shelley's conception of the place of imaginative pro- cesses in the very act of introspective self - perception is also manifest here . For the debilitated poet of ...
... introspection as a source of fundamental knowledge of human nature.59 Shelley's conception of the place of imaginative pro- cesses in the very act of introspective self - perception is also manifest here . For the debilitated poet of ...
Page 253
... introspective examination has precisely the effect of exacerbating the creative - destructive syndrome already discussed : ' I rose ; and , bending at her sweet command , Touched with faint lips the cup she raised , And suddenly my ...
... introspective examination has precisely the effect of exacerbating the creative - destructive syndrome already discussed : ' I rose ; and , bending at her sweet command , Touched with faint lips the cup she raised , And suddenly my ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth