Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 47
... Feeling ( 1771 ) , ' James Beattie's poem The Minstrel ( 1771-4 ) , 21 and Godwin's novel , Fleetwood ; or , the New Man of Feeling ( 1805 ) .22 Nevertheless , Shelley goes beyond these authors in the depth of his reading in the medical ...
... Feeling ( 1771 ) , ' James Beattie's poem The Minstrel ( 1771-4 ) , 21 and Godwin's novel , Fleetwood ; or , the New Man of Feeling ( 1805 ) .22 Nevertheless , Shelley goes beyond these authors in the depth of his reading in the medical ...
Page 82
... feeling ( those in whom the ' faculty of approximation to the beautiful ' exists ' in excess are poets ' ) . 5 Wordsworth's attempt to ' identify the maker of poetry with the average man ' , as James Heffernan puts it , 56 rested on the ...
... feeling ( those in whom the ' faculty of approximation to the beautiful ' exists ' in excess are poets ' ) . 5 Wordsworth's attempt to ' identify the maker of poetry with the average man ' , as James Heffernan puts it , 56 rested on the ...
Page 158
... feeling among civilised mankind produced by a defect of correspondence between the knowledge existing in society and the improvement or gradual abolition of political institutions . ( H 33 ) Shelley understood the general feeling ...
... feeling among civilised mankind produced by a defect of correspondence between the knowledge existing in society and the improvement or gradual abolition of political institutions . ( H 33 ) Shelley understood the general feeling ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth