Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 76
... beautiful , which the poet , the philosopher , or the lover could depicture . . . ' ( N 69 ) .37 Anticipat- ing a more detailed analysis , the reason why this image should be a miniature of ourselves and the telos of all activity might ...
... beautiful , which the poet , the philosopher , or the lover could depicture . . . ' ( N 69 ) .37 Anticipat- ing a more detailed analysis , the reason why this image should be a miniature of ourselves and the telos of all activity might ...
Page 85
... beautiful and new , not because the portions of which they are composed had no previous existence in the mind of man or in nature , but because the whole produced by their combination has some intelligible and beautiful analogy with ...
... beautiful and new , not because the portions of which they are composed had no previous existence in the mind of man or in nature , but because the whole produced by their combination has some intelligible and beautiful analogy with ...
Page 138
... beautiful , / The child of grace and genius ' ( ll . 689-90 ) . The death of this beautiful figure , the object of an intense love on the part of his elegist , affects the latter just as the vanishing of the figure of his dream affected ...
... beautiful , / The child of grace and genius ' ( ll . 689-90 ) . The death of this beautiful figure , the object of an intense love on the part of his elegist , affects the latter just as the vanishing of the figure of his dream affected ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth