Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 4
... attempt to bridge this apparent split tend to regard the figure of the poet as Shelley's inculcation of his social doctrines by way of negative example . Paul Dawson reads the 12 T. Webb , Shelley : A Voice not Understood ( Manchester ...
... attempt to bridge this apparent split tend to regard the figure of the poet as Shelley's inculcation of his social doctrines by way of negative example . Paul Dawson reads the 12 T. Webb , Shelley : A Voice not Understood ( Manchester ...
Page 16
... Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects14 and looked to Bacon for its method.15 This was the most consistent attempt to conduct a science of man modelled on the physical sciences and their method of ...
... Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects14 and looked to Bacon for its method.15 This was the most consistent attempt to conduct a science of man modelled on the physical sciences and their method of ...
Page 156
... attempt to relate his theory of poetry expressing a universal human nature to the particular circumst- ances of his own time . This attention to the interaction of universal and historical elements is entirely characteristic . The ...
... attempt to relate his theory of poetry expressing a universal human nature to the particular circumst- ances of his own time . This attention to the interaction of universal and historical elements is entirely characteristic . The ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth