Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 179
... Tasso fell in love with Leonora , the duke's sister , and was imprisoned as a madman for punishment . C. P. Brand writes : ' in the history of European literature as much significance has been attached to the legend of the man as to the ...
... Tasso fell in love with Leonora , the duke's sister , and was imprisoned as a madman for punishment . C. P. Brand writes : ' in the history of European literature as much significance has been attached to the legend of the man as to the ...
Page 180
... Tasso's insanity as the combined result of unrequited love , the effect of adverse critical opinion of his poetry ... Tasso and Collins ' also sees frustrated poetic ambition as a crucial factor in the madness resulting from excessive ...
... Tasso's insanity as the combined result of unrequited love , the effect of adverse critical opinion of his poetry ... Tasso and Collins ' also sees frustrated poetic ambition as a crucial factor in the madness resulting from excessive ...
Page 181
... Tasso , showing the courtiers , a Count Maddalo , a figure Pigna , and a poet called Malpigio , being refused entrance to the Duke and Leonora while both are engrossed with the young Tasso . The usher , Albano , describes the scene ...
... Tasso , showing the courtiers , a Count Maddalo , a figure Pigna , and a poet called Malpigio , being refused entrance to the Duke and Leonora while both are engrossed with the young Tasso . The usher , Albano , describes the scene ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth