Boothby is at my heart still. She would delight in that fellow Lyttleton's company though, all that I could do, and I cannot forgive even his memory the preference given by a mind like hers." Mr. Croker surmises that "Molly Aston," not "dear Boothby," must have been the object of this rivalry † ; and the surmise is strengthened by Johnson's calling Molly the loveliest creature he ever saw; adding (to Mrs. Thrale), "My wife was a little jealous, and happening one day when walking in the country to meet a fortunehunting gipsy, Mrs. Johnson made the wench look at my hand, but soon repented of her curiosity, 'for,' says the gipsy, 'your heart is divided between a Betty and a Molly: Betty loves you best, but you take most delight in Molly's company.' When I turned about to laugh, I saw my wife was crying. Pretty charmer, she had no reason." This pretty charmer was in her forty-eighth year when he married her, he being then twenty-seven. He told Beauclerc that it was a love match on both sides; and Garrick used to draw ludicrous pictures of their mutual fondness, which he heightened by representing her as short, fat, tawdrily dressed, and highly rouged. On the question whether "Molly Aston" or "dear * In point of personal advantages the man of rank and fashion and the scholar were nearly on a par. "But who is this astride the pony, So long, so lean, so lank, so bony? † See "Croker's Boswell," p. 672, and Malone's note in the prior edition. Boothby" was the cause of his dislike of Lyttleton, one of Mrs. Piozzi's marginal notes is decisive. "Mrs. Thrale (says Boswell) suggests that he was offended by Molly Aston's preference of his lordship to him." She retorts: "I never said so. I believe Lord Lyttleton and Molly Aston were not acquainted. No, no: it was Miss Boothby whose preference he professed to have been jealous of, and so I said in the Anecdotes."" One of Rochefoucauld's maxims is: "Young women who do not wish to appear coquette, and men of advanced years who do not wish to appear ridiculous, should never speak of love as of a thing in which they might take part." Mrs. Thrale relates an amusing instance of Johnson's adroitness in escaping from the dilemma: "As we had been saying one day that no subject failed of receiving dignity from the manner in which Mr. Johnson treated it, a lady at my house said, she would make him talk about love; and took her measures accordingly, deriding the novels of the day because they treated about love. It is not,' replied our philosopher, 'because they treat, as you call it, about love, but because they treat of nothing, that they are despicable: we must not ridicule a passion which he who never felt, never was happy, and he who laughs at, never deserves to feel a passion which has caused the change of empires, and the loss of worlds— a passion which has inspired heroism and subdued. avarice.' He thought he had already said too much. A passion, in short,' added he, with an altered tone, that consumes me away for my pretty Fanny here, and she is very cruel,' speaking of another lady (Miss Burney) in the room." As the high-flown language which he occasionally employed in addressing or discussing women, has originated a theory that the basis or essence of his character was romance, it may be as well to contrast what he said in soberer moods on love. He remarked to Dr. Maxwell, that "its violence and ill-effects were much exaggerated; for who knows any real sufferings on that head, more than from the exorbitancy of any other passion?" On Boswell asking him whether he did not suppose that there are fifty women in the world with any of whom a man may be as happy as with any one woman in particular, he replied, “Ay, Sir, fifty thousand. I believe marriages would in general be as happy, and often more so, if they were all made by the lord-chancellor upon a due consideration of the characters and circumstances without the parties having any choice in the matter." On another occasion he observed that sensible men rarely married for love. These peculiarities throw light on more questions than one relating to Johnson's prolonged intimacy and alleged quarrel with Mrs. Thrale. His gallantry, and the flattering air of deferential tenderness which he threw into his commerce with his female favourites, may have had little less to do with his domestication at Streatham than his celebrity, his learning, or his wit. The most submissive wife will manage to dislodge an inmate who is displeasing to her, "Aye, a marriage, man," said Bucklaw to his led captain, "but wherefore droops thy mighty spirit? The board will have a corner, and the corner will have a trencher, and the trencher will have a glass beside it; and the board end shall be filled, and the trencher and the glass shall be replenished for thee, if all the petticoats in Lothian had sworn the contrary." "So says many an honest fellow," said Craigenfelt, "and some of my special friends; but curse me if I know the reason, the women could never bear me, and always contrived to trundle me out before the honey-moon was over. It was all very well for Johnson to tell Boswell, "I know no man who is more master of his wife and family than Thrale. If he holds up a finger, he is obeyed.” The sage never acted on the theory, and instead of treating the wife as a cipher, lost no opportunity of paying court to her, though in a manner quite compatible with his own lofty spirit of independence and self-respect. Thus, attention having been called to some Italian verses by Baretti, he converted them into an elegant compliment to her by an improvised paraphrase: Always pretty, always young, Her marginal note in the copy of the "Anecdotes presented by her to Sir James Fellowes in 1816 is:“I heard these verses sung at Mr. Thomas's by three voices not three weeks ago." It was in the eighth year of their acquaintance that Johnson solaced his fatigue in the Hebrides by writing a Latin ode to her. "About fourteen years since," wrote Sir Walter Scott, in 1829, "I landed in Sky with a party of friends, and had the curiosity to ask what was the first idea on every one's mind at landing. All answered separately that it was this ode." Thinking Miss Cornelia Knight's version too diffuse, I asked Mr. Milnes for a translation or paraphrase, and he kindly complied by producing these spirited stanzas: "Where constant mist enshrouds the rocks, I roam through clans of savage men, Through paths that halt from stone to stone, One image haunts my soul alone, Soothes she, I ask, her spouse's care? |