Beyond Understanding: Appeals to the Imagination, Passions, and Will in Mid-nineteenth-century American Women's FictionPeter Lang, 1996 - 205 pages To appreciate how and why America's first best-sellers so gripped the American soul, current readers need to recapture the era's cognitive paradigm. In Beyond Understanding, Dr. Henning introduces us to the nineteenth-century mind, influenced, in large part, by eighteenth-century Scottish philosopher, theologian, and rhetorician, George Campbell. Reading «feminine fifties» works in light of Campbell's faculty psychology helps reveal why this fiction so inspired its original readers; further, acknowledging and reevaluating marginalized reading methods supports an expanding literary canon. Finally, revisiting Campbell's «philosophy of rhetoric» encourages current lovers of discourse to experience literature and life holistically - beyond understanding. |
From inside the book
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Page 11
... consider the book only as it throws light upon the characteristics of the 1850s , " writes Fred Louis Pattee ( 130 ) . Shifting this paradigm , several scholars turn from considering " the book as a representation of or statement about ...
... consider the book only as it throws light upon the characteristics of the 1850s , " writes Fred Louis Pattee ( 130 ) . Shifting this paradigm , several scholars turn from considering " the book as a representation of or statement about ...
Page 28
... consider books as objects of study or objects of art , nineteenth - century readers tended to consider books as agents of change . In this respect the books ' ontology has evolved through time . 3 These designs on the reader took shape ...
... consider books as objects of study or objects of art , nineteenth - century readers tended to consider books as agents of change . In this respect the books ' ontology has evolved through time . 3 These designs on the reader took shape ...
Page 167
... consider such popular images or architectural iconography as " stereotyped . " The mid - nineteenth - century reader , how- ever , found such appeals to the imagination not literary problems , but " verbal codes " ( Harris 19th 32 ) or ...
... consider such popular images or architectural iconography as " stereotyped . " The mid - nineteenth - century reader , how- ever , found such appeals to the imagination not literary problems , but " verbal codes " ( Harris 19th 32 ) or ...
Contents
ILLUSTRATIONS xi | 11 |
INTRODUCTION 1 | 11 |
AMERICAN WOMEN WRITERS OF THE 1850s | 27 |
Copyright | |
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Common terms and phrases
19th-Century according to Campbell American women's association association psychology Baym book's Campbell's philosophy canon Cap's Capitola Catharine Montour century challenges characters Christian contemporary critics cultural current readers describes Eliza Ellen emulate ends of discourse explains faculties fiction floral flowers Freibert Gabler-Hover Godey's Godey's Lady's Book Habegger Hale Harris Henry Ward Beecher hermeneutic Herzog Hidden Hand human ideas images influence language literary live Mary Derwent mid-nineteenth-century mother move the passions moves the reader's nature nineteenth nineteenth-century American nineteenth-century reader novel Papashvily Philosophy of Rhetoric plot popular reader's imagination reader's mind reader's passions reader's understanding rhetorical appeals rhetoricians Sarah Josepha Hale scenes scholars Sensational sense slave slavery social Southern Literary Messenger Southworth Stephens Stephens's story Stowe Stowe's Susan Susan Warner sympathy Tahmeroo theological tion Tompkins Traverse twentieth-century reader Uncle Tom's Cabin vanquish error Warner Wide World women authors women writers writes Wyoming Valley Wyoming Valley Massacre