VENICE PRESERVED; OR, A PLOT DISCOVERED, Is a play evidently the result of acute remark upon the influence of passion on life. The Author seems to have consulted nature in his own mind, and unfor. tunately his own mind was corrupt. Hence his characters, except indeed Belvidera, excite little sympathy at their fate.-The Traitor to his Country expires upon the wheel, and the Betrayer of his Friend is the slayer of himself. In the works of some dramatists, there is danger lest Vice should wear the wreath of Virtue from the fascination of specious qualities-it is thus in the School for Scandal; where the character of Charles is a seducing poison to our blood.-Otway's Rascals are, however, sufficiently despised-PIERRE is sunken by cruel ambition—JAFFIER by meanness unmanly and contemptible. On the side of the amor patriæ he is paralytic-he can support the idea of destroying his Country, but poverty, the importunities of a wife, or the reflections of treachery to a friend, agonize him with compunction and hurry him to despair. BELVIDERA, unhappy, duteous, tender, and virtuous, claims our full commiseration, and claims it alone. PROLOGUE. IN these distracted times, when each man dreads Whence we had fear'd three years we know not what, 'Till witnesses began to die o' th' rot; What made our poet meddle with a plot? And name of plot, his trifling play might take? Bloody, revengeful, and—to crown his part, In spite of age (thanks t' heaven) is hang'd at last ; To lewdness ev'ry night the leacher ran; |