A General View of the Stage: By Mr. WilkesJ. Coote; and W. Whetstone, Dublin, 1759 - 335 pages |
From inside the book
Results 1-5 of 24
Page 28
... also are only twofold , viz . either by public or by private diftreffes . The former of thefe ftand more remote from the common fphere of action , as recapitulating fomething grander , and does not therefore fall immediately under the ...
... also are only twofold , viz . either by public or by private diftreffes . The former of thefe ftand more remote from the common fphere of action , as recapitulating fomething grander , and does not therefore fall immediately under the ...
Page 37
... also has from na- ture , as well as acquirement , a fund of wit and pleasantry that may not be easily exhaust- ed , here he cannot hope to fucceed ; for his exhibition ought to carry with it that force of perfuafion , that the spectator ...
... also has from na- ture , as well as acquirement , a fund of wit and pleasantry that may not be easily exhaust- ed , here he cannot hope to fucceed ; for his exhibition ought to carry with it that force of perfuafion , that the spectator ...
Page 63
... also owe the speaking of comic Epilogues after Tragedies . We have indeed a fpecies of Drama , which , though it takes the place of Farce , cannot properly be called fo , because it answers all the ends of Comedy , commixing ufe with en ...
... also owe the speaking of comic Epilogues after Tragedies . We have indeed a fpecies of Drama , which , though it takes the place of Farce , cannot properly be called fo , because it answers all the ends of Comedy , commixing ufe with en ...
Page 83
... also add a knowledge of the leading manners and lan- guages of nations , whether antient or mo- dern ; because the Drama at different times embraces them all , from the Artic to the An- tartic Pole ; and if a new character falls in his ...
... also add a knowledge of the leading manners and lan- guages of nations , whether antient or mo- dern ; because the Drama at different times embraces them all , from the Artic to the An- tartic Pole ; and if a new character falls in his ...
Page 84
... also the gift of Nature , a gift by no means in the power of Art to bestow , he must not expect to fucceed on the Stage ; for feeling is as it were the firft great fpring upon which all the other mechanic motions depend . ' Tis not ...
... also the gift of Nature , a gift by no means in the power of Art to bestow , he must not expect to fucceed on the Stage ; for feeling is as it were the firft great fpring upon which all the other mechanic motions depend . ' Tis not ...
Other editions - View all
Common terms and phrases
Aaron Hill action Actor affume againſt almoſt alſo antient applauſe audience beauty becauſe beſt caft cauſe character Cibber Comedy comic countenance diſcover diſplay Drama drefs dreſs eaſe entertainment excellent expreffed faid Fair Penitent fame fatire fays feems feen fenfe fentiment fhall fhews fion firft firſt fome fometimes foon fpeech ftriking fubject fuccefs fuch fufficient fuppofed fupport Garrick genius grace greateſt grief higheſt himſelf humour Iago inftruction itſelf Jane Shore judgment juſt laſt lefs manner Maſks maſter ment merit moft moſt Mufic muft muſt nature obferved Othello paffion Painting perfon performance pington Play Player pleafing pleaſing pleaſure Poet poffeffed prefent preferves propriety racter raiſe reaſon repreſent Rofcius ſay ſcene ſee ſeen ſeveral Shakeſpear ſhall ſhe ſhould ſome ſpeaking ſpirit Stage ſtand ſtill ſtrength ſtudy taſte tenderneſs Theatre thefe themſelves theſe thofe thoſe tion Tragedy underſtanding uſe utmoſt voice whofe whoſe
Popular passages
Page 133 - Villain, be sure thou prove my love a whore, — Be sure of it; give me the ocular proof; Or, by the worth of mine eternal soul, Thou hadst been better have been born a dog Than answer my wak'd wrath ! lago.
Page 164 - That I must die, it is my only comfort ; Death is the privilege of human nature, And life without it were not worth our taking: " Thither the poor, the pris'ner, and the mourner, \\* " Fly for relief, and lay their burthens down.
Page 126 - Alack, alack, is it not like that I So early waking, what with loathsome smells And shrieks like mandrakes...
Page 127 - Imparadised in one another's arms, The happier Eden, shall enjoy their fill Of bliss on bliss, while I to hell am thrust...
Page 226 - As for Maister Greene, all that I will speak of him (and that without flattery) is this (if I were worthy to censure) there was not an actor of his nature, in his time, of better ability in performance of what he undertook, more applauded by the audience, of greater grace at the court, or of more general love in the city.
Page 123 - ... .In Sophocles, when the unfortunate Deianira discovers her mistake in having sent a . poisoned vestment to her husband Hercules; her surprise and sorrow are unspeakable, and she answers not her son who acquaints her with the disaster, but goes off the stage without uttering a syllable. A writer unacquainted with nature and the heart, would have put into her mouth twenty florid Iambics, in which she would bitterly have bewailed her misfortunes, and informed the spectators that she was going to...
Page 121 - Away, stand off ! where is she ? let me fly, Save her from death, and snatch her to my heart. Aim. Oh! Alph. Forbear ; my arms alone shall hold her up, Warm her to life, and wake her into gladness.
Page 147 - Kneller recognised in him a superior artist. Sir Godfrey remarks that "he could only copy nature from the originals before him, but that Dogget could vary them at pleasure and yet keep a close likeness.
Page 164 - Thither the Poor, the Pris'ner, and the Mourner, Fly for Relief, and lay their Burthens down. Come then, and take me now to thy cold Arms, Thou meagre Shade ; here let me breathe my last...
Page 234 - I never see him coming down from one corner of the Stage with his old grey hair standing, as it were, erect upon his head, his face filled with horror and attention, his hands expanded, and his whole frame actuated by a dreadful solemnity but I am astounded and share in all his distresses. Nay, as Shakespeare in some different place, with elegance, observes upon another subject, one might interpret from the dumbness of his gesture.