A General View of the Stage: By Mr. WilkesJ. Coote; and W. Whetstone, Dublin, 1759 - 335 pages |
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Page v
... Shakespeare and Otway : of Tate's alteration of King Lear ; of Addifon's Cato ; of our feelings when Spectators of a Tragedy ; and their caufe , CHA P. IV . 28 Of Comedy : its end : of the Defign of the Play of Every Man in his Humour ...
... Shakespeare and Otway : of Tate's alteration of King Lear ; of Addifon's Cato ; of our feelings when Spectators of a Tragedy ; and their caufe , CHA P. IV . 28 Of Comedy : its end : of the Defign of the Play of Every Man in his Humour ...
Page 17
... Shakespeare brought the fame men on the Stage whom he saw in the world . " If the truth of this affirmation be al- lowed , good fense and virtue were in his days more fashionable than in ours ; and hence did he derive , in part at least ...
... Shakespeare brought the fame men on the Stage whom he saw in the world . " If the truth of this affirmation be al- lowed , good fense and virtue were in his days more fashionable than in ours ; and hence did he derive , in part at least ...
Page 26
... wound up . So that were not Shakespeare , Rowe , and Ot- way , fometimes to step forth with uncontroul- able dignity , we fhould be apt to think the end end of Tragedy no longer fubfifted in Britain ; not 26 A GENERAL VIEW.
... wound up . So that were not Shakespeare , Rowe , and Ot- way , fometimes to step forth with uncontroul- able dignity , we fhould be apt to think the end end of Tragedy no longer fubfifted in Britain ; not 26 A GENERAL VIEW.
Page 28
... Shakespeare and Otway : of Tate's alteration of King Lear ; of Addison's Cato ; of our feelings when fpectators of a Tragedy ; and their caufe . W E have before obferved , that the Tra- gic Poet has but two ways of work- ing his end of ...
... Shakespeare and Otway : of Tate's alteration of King Lear ; of Addison's Cato ; of our feelings when fpectators of a Tragedy ; and their caufe . W E have before obferved , that the Tra- gic Poet has but two ways of work- ing his end of ...
Page 30
... Shakespeare did not always excel : he is guilty of many anachronisms , but in one thing , how- ever , he is always exact ; that is , in making his Romans fpeak like Romans , his English- men like Englishmen . This art makes his pieces ...
... Shakespeare did not always excel : he is guilty of many anachronisms , but in one thing , how- ever , he is always exact ; that is , in making his Romans fpeak like Romans , his English- men like Englishmen . This art makes his pieces ...
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Common terms and phrases
Aaron Hill action Actor affume againſt almoſt alſo antient applauſe audience beauty becauſe beſt caft cauſe character Cibber Comedy comic countenance diſcover diſplay Drama drefs dreſs eaſe entertainment excellent expreffed faid Fair Penitent fame fatire fays feems feen fenfe fentiment fhall fhews fion firft firſt fome fometimes foon fpeech ftriking fubject fuccefs fuch fufficient fuppofed fupport Garrick genius grace greateſt grief higheſt himſelf humour Iago inftruction itſelf Jane Shore judgment juſt laſt lefs manner Maſks maſter ment merit moft moſt Mufic muft muſt nature obferved Othello paffion Painting perfon performance pington Play Player pleafing pleaſing pleaſure Poet poffeffed prefent preferves propriety racter raiſe reaſon repreſent Rofcius ſay ſcene ſee ſeen ſeveral Shakeſpear ſhall ſhe ſhould ſome ſpeaking ſpirit Stage ſtand ſtill ſtrength ſtudy taſte tenderneſs Theatre thefe themſelves theſe thofe thoſe tion Tragedy underſtanding uſe utmoſt voice whofe whoſe
Popular passages
Page 133 - Villain, be sure thou prove my love a whore, — Be sure of it; give me the ocular proof; Or, by the worth of mine eternal soul, Thou hadst been better have been born a dog Than answer my wak'd wrath ! lago.
Page 164 - That I must die, it is my only comfort ; Death is the privilege of human nature, And life without it were not worth our taking: " Thither the poor, the pris'ner, and the mourner, \\* " Fly for relief, and lay their burthens down.
Page 126 - Alack, alack, is it not like that I So early waking, what with loathsome smells And shrieks like mandrakes...
Page 127 - Imparadised in one another's arms, The happier Eden, shall enjoy their fill Of bliss on bliss, while I to hell am thrust...
Page 226 - As for Maister Greene, all that I will speak of him (and that without flattery) is this (if I were worthy to censure) there was not an actor of his nature, in his time, of better ability in performance of what he undertook, more applauded by the audience, of greater grace at the court, or of more general love in the city.
Page 123 - ... .In Sophocles, when the unfortunate Deianira discovers her mistake in having sent a . poisoned vestment to her husband Hercules; her surprise and sorrow are unspeakable, and she answers not her son who acquaints her with the disaster, but goes off the stage without uttering a syllable. A writer unacquainted with nature and the heart, would have put into her mouth twenty florid Iambics, in which she would bitterly have bewailed her misfortunes, and informed the spectators that she was going to...
Page 121 - Away, stand off ! where is she ? let me fly, Save her from death, and snatch her to my heart. Aim. Oh! Alph. Forbear ; my arms alone shall hold her up, Warm her to life, and wake her into gladness.
Page 147 - Kneller recognised in him a superior artist. Sir Godfrey remarks that "he could only copy nature from the originals before him, but that Dogget could vary them at pleasure and yet keep a close likeness.
Page 164 - Thither the Poor, the Pris'ner, and the Mourner, Fly for Relief, and lay their Burthens down. Come then, and take me now to thy cold Arms, Thou meagre Shade ; here let me breathe my last...
Page 234 - I never see him coming down from one corner of the Stage with his old grey hair standing, as it were, erect upon his head, his face filled with horror and attention, his hands expanded, and his whole frame actuated by a dreadful solemnity but I am astounded and share in all his distresses. Nay, as Shakespeare in some different place, with elegance, observes upon another subject, one might interpret from the dumbness of his gesture.