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Alma answered arms asked beautiful began believe body Book called Captain Carrie child City close coming course dark dead Deolda don't door eyes face fear feel felt followed girl give gone hair hand head hear heard heart hold hour June keep killed kind knew laughed leave Lee Fu light lived London looked Louis Magazine marry master mean mind morning mother moved Neal never night once passed perhaps Peter remember Rochefort seemed seen Sept SHORT STORIES side smile standing stood story Street suddenly sure talk tell thing thought told took touch turned Vanderbridge voice waited walked wall watching wife woman women wonder York young
Page 132 - Favour is deceitful, and beauty is vain: but a woman that feareth the Lord, she shall be praised. Give her of the fruit of her hands; and let her own works praise her in the gates.
Page 238 - If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed...
Page xii - I have set myself the task of disengaging the essential human qualities in our contemporary fiction which, when chronicled conscientiously by our literary artists, may fairly be called a criticism of life.
Page xiv - The third group, which is composed of stories of still greater distinction, includes such narratives as may lay convincing claim to a second reading, because each of them has survived both tests, the test of substance and the test of form. Stories included in this group are indicated in the yearbook index by two asterisks prefixed to the title. Finally, I have recorded the names of a small group of stories which possess, I believe, the even finer distinction of uniting genuine substance and artistic...
Page xii - I am not at all interested in formulae, and organized criticism at its best would be nothing more than dead criticism, as all dogmatic interpretation of life is always dead. What has interested me, to the exclusion of other things, is the fresh, living current which flows through the best American work, and the psychological and imaginative quality which American writers have conferred upon it.
Page xiii - American writers have conferred upon it. No substance is of importance in fiction, unless it is organic substance, that is to say, substance in which the pulse of life is beating. Inorganic fiction has been our curse in the past, and bids fair to remain so, unless we exercise much greater artistic discrimination than we display at present.
Page xiii - ... substantial embodiment when the artist's power of compelling imaginative persuasion transforms them into a living truth. The first test of a short story, therefore, in any qualitative analysis is to report upon how vitally compelling the writer, makes his selected facts or incidents. This test may be conveniently called the test of substance. But a second test is necessary if the story is to take rank above other stories. The true artist will seek to shape this living substance into the most...
Page 333 - ... their beat of brass and strings, their whisper of feet, their clink of dimes. . . . Let a man not work away his strength and his youth. Let him breathe a new melody; let him draw out of imagination a novel step, a more fantastic tilt of the pelvis, a wilder gesticulation of the deltoid. Let him put out his hand to the Touch of Gold. . . . It is a tale of this New York. That it didn't chance to happen in New York is beside the point. Where? It wouldn't help you much if I told you. Taai. That island....