The Plays & Poems of Shakespeare: According to the Improved Text of Edmund Malone, Including the Latest Revisions, with a Life, Glossarial Notes, an Index ...H:O. Bohn, 1857 |
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... Iago , Cassio , & c . - Stothard . 224 • 6. Othello , and Desdemona . - Porter . 294 7. Othello , Desdemona asleep . - Graham . 316 8. Othello , Desdemona asleep . - Boydell . ib . HAMLET , PRINCE OF DENMARK . SHAK . XIV .
... Iago , Cassio , & c . - Stothard . 224 • 6. Othello , and Desdemona . - Porter . 294 7. Othello , Desdemona asleep . - Graham . 316 8. Othello , Desdemona asleep . - Boydell . ib . HAMLET , PRINCE OF DENMARK . SHAK . XIV .
Page 13
... Iago , Cassio , & c . - Stothard . 6. Othello , and Desdemona . - Porter . 7. Othello , Desdemona asleep . - Graham . 8. Othello , Desdemona asleep . - Boydell . . • 224 294 316 ib . HAMLET , PRINCE OF DENMARK . SHAK . XIV .
... Iago , Cassio , & c . - Stothard . 6. Othello , and Desdemona . - Porter . 7. Othello , Desdemona asleep . - Graham . 8. Othello , Desdemona asleep . - Boydell . . • 224 294 316 ib . HAMLET , PRINCE OF DENMARK . SHAK . XIV .
Page 181
... Iago , silent in his resentment , subtle in his designs , and studious at once of his interest and his vengeance ; the soft simplicity of Desdemona , confident of merit , and conscious of innocence , her artless perseverance in her suit ...
... Iago , silent in his resentment , subtle in his designs , and studious at once of his interest and his vengeance ; the soft simplicity of Desdemona , confident of merit , and conscious of innocence , her artless perseverance in her suit ...
Page 182
... Iago is so con- ducted , that he is from the first scene to the last hated and despised . Even the inferior characters of this play would be very conspicuous in any other piece , not only for their justness , but their strength . Cassio ...
... Iago is so con- ducted , that he is from the first scene to the last hated and despised . Even the inferior characters of this play would be very conspicuous in any other piece , not only for their justness , but their strength . Cassio ...
Page 183
... Iago , in order that he may at once gratify his diabolical malignity and promote his personal advancement , by in- stilling groundless suspicions into the ear of his commander , of a criminal attachment subsisting between his wife and ...
... Iago , in order that he may at once gratify his diabolical malignity and promote his personal advancement , by in- stilling groundless suspicions into the ear of his commander , of a criminal attachment subsisting between his wife and ...
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Common terms and phrases
Bernardo beseech Bian blood Brabantio Cassio Clown Cyprus daughter dead dear death Denmark Desdemona devil dost thou doth Duke Elsinore Emilia Enter HAMLET Enter OTHELLO Exeunt Exit Exit Ghost eyes fair faith Farewell father fear fool Fortinbras foul gentlemen Ghost give grace grief Guil hand handkerchief hath hear heart heaven hither hold honest honor Horatio husband Iago kill'd King knave lady Laer Laertes lago lieutenant look madam madness Marcellus marry Michael Cassio mistress Moor mother murder never night noble Norway o'er Ophelia OSRIC play players poison poison'd Polonius Pr'ythee pray Pyrrhus Queen revenge Roderigo Rosencrantz and Guildenstern SCENE SHAK signior soul speak sweet sword tell thee There's thine thing thou art thou dost thou hast thought to-night trumpet twas Venice villain what's wife
Popular passages
Page 61 - I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ?...
Page 17 - Neither a borrower nor a lender be: For loan oft loses both itself and friend; And borrowing dulls the edge of husbandry. This above all, — to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
Page 90 - But O, what form of prayer Can serve my turn ? ' Forgive me my foul murder'? That cannot be, since I am still possess'd Of those effects for which I did the murder, My crown, mine own ambition and my queen. . May one be pardon'd and retain the offence? In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law...
Page 49 - O God, I could be bounded in a nut-shell, and count myself a king of infinite space, were it not that I have bad dreams.
Page 63 - I know my course. The spirit that I have seen May be the devil; and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me.
Page 69 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword ; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down...
Page 112 - How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more.
Page 71 - O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...
Page 112 - Makes mouths at the invisible event, Exposing what is mortal and unsure To all that fortune, death, and danger dare, Even for an egg-shell. Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw, When honour's at the stake.
Page 97 - O Hamlet! speak no more! Thou turn'st mine eyes into my very soul ; And there I see such black and grained spots, As will not leave their tinct.