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DEATH'S FINAL CONQUEST.

[Among the poetic legacies that will "never grow old, nor change, nor pass away," is the noble dirge of Shirley, in his Contention of Ajax and Ulysses. Doubtless it was by the fall, if not by the death, of Charles I., that the mind of the royalist poet was solemnized to the creation of these imperishable stanzas. Oliver Cromwell is said, on the recital of them, to have been seized with great terror and agitation of mind.]

There is

The glories of our mortal state

Are shadows, not substantial things;

There is no armor against fate;

Death lays his icy hand on kings:

Sceptre and crown

Must tumble down,

And in the dust be equal made

With the poor crooked scythe and spade.
Some men with swords may reap the field,
And plant fresh laurels where they kill;
But their strong nerves at last must yield;
They tame but one another still:
Early or late,

They stoop to fate,

And must give up their murmuring breath,
When they, pale captives, creep to death.

The garlands wither on your brow;

Then boast no more your mighty deeds;

Upon death's purple altar now,

See where the victor-victim bleeds:
Your heads must come

To the cold tomb:

Only the actions of the just

Smell sweet, and blossom in their dust.

THE COMMON HERITAGE.

There is no death: what seems so is transition:

This life of mortal breath

Is but a suburb of the life elysian

Whose portal we call Death.-LONGFELLOW.

says the author of Euthanasy-no universal night in this earth, and for us in the universe there is no death. What to us here is night coming on, is, on the other side of the earth, night ending, and day begun. And so what we call death, the angels may regard as immortal birth.

We are born-says another writer-with the principles of dissolution in our frame, which continue to operate from our birth to our death; so that in this sense we may be said to "die daily." Death is not so much a laying aside our old bodies (for this we have been doing all our lives) as ceasing

to assume new ones.

"Say," said one who was about entering the Dark Valley, to his amanuensis, "that I am still in the land of the living, but expect soon to be numbered with the dead." But, after a moment's reflection, he added, "Stop! say that I am still in the land of the dying, but expect to be soon in the land of the living."

Says old Jeremy Collier, The more we sink into the infirmities of age, the nearer we are to immortal youth. All people are young in the other world. That state is an eternal spring, ever fresh and flourishing. Now, to pass from midnight into noon on the sudden, to be decrepit one minute, and all spirit and activity the next, must be an entertaining change. To call this dying is an abuse of language.

The day of our decease-says Mountford-will be that of our coming of age; and with our last breath we shall become free of the universe. And in some region of infinity, and from among its splendors, this earth will be looked back upon like a lowly home, and this life of ours be remembered like a short apprenticeship to Duty.

MORS MORTIS MORTI MORTEM NISI MORTE DEDISSET,
ETERNE VITE JANUA CLAUSA FORET.

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ECHO VERSE,-

London before the Restoration,
Page 282.
Pasquinade, 283.

Queen Elizabeth, 282.
Song by Addison, 283.
Synod of Dort, 287.
EMBLEMATIC POETRY, 92.
Altar inscription, 96.
Cross, the, 94.

Crucifixion, curious piece of
antiquity on, 95.
Cypher, ingenious, 96.

sşay to Miss Catharine Jay, 97.
Hindu triplet, 93.

Oxford joke, 96.

Rhomboidal dirge, 94

Typographical, 96.

Wine-glass, the, 93.

ENGLISH WORDS AND FORMS OF

EXPRESSION, 182.

Compound epithets, 211.

Dictionary English, 182.
Disraelian English, 184.
Eccentric etymologies, 195.
Excise, 189.

Forlorn hope, 193.
Influence of names, 209.
I say, 186.

Its, 185.

No love lost, etc., 193.
Not Americanisms, 191.
Nouns of multitude, 184.
Odd changes of signification,

205.

Our vernacular in Chaucer's
time, 211.

Path-ology, 186.

Pontiff, 190.

Pronunciation of ough, 186.
Quiz, 194.

Rough, 190.

Sources of the language, 183.
Tennyson's English, 194.

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