Shakespeare's Early TragediesRoutledge, 2013 M10 11 - 232 pages First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Page 7
... as Shakespeare's. Indeed, particularly with them, for they are beyond dispute the central literary and dramatic fact of our inheritance. I do not imply by B this a deliberate searching into the question of how Brecht Introdnotion 7.
... as Shakespeare's. Indeed, particularly with them, for they are beyond dispute the central literary and dramatic fact of our inheritance. I do not imply by B this a deliberate searching into the question of how Brecht Introdnotion 7.
Page 8
... question 'What is Shakespeare's relevance today?' Our finding him interesting, vitally interesting, guarantees the relevance; and the question to be asked is clearly not 'What is the relevance', but 'What is the interest?' The ...
... question 'What is Shakespeare's relevance today?' Our finding him interesting, vitally interesting, guarantees the relevance; and the question to be asked is clearly not 'What is the relevance', but 'What is the interest?' The ...
Page 11
... question is not the unity of the author, but of the play, and each of these seems to me to reveal on examination an elaborate and carefully controlled structure reflected in an equivalent control of language. If anyone but Shakespeare ...
... question is not the unity of the author, but of the play, and each of these seems to me to reveal on examination an elaborate and carefully controlled structure reflected in an equivalent control of language. If anyone but Shakespeare ...
Page 14
... 598 listed the play as Shakespeare's; Heminge and Condell, his literary executors, printed the play as his in 1623. There is no good evidence to question this, and I shall proceed on the 14 ShakeJPeare'x Barty Tragedier.
... 598 listed the play as Shakespeare's; Heminge and Condell, his literary executors, printed the play as his in 1623. There is no good evidence to question this, and I shall proceed on the 14 ShakeJPeare'x Barty Tragedier.
Page 15
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Contents
1 | |
13 | |
Richard III 1593? | 48 |
Romeo and Juliet 1595 | 80 |
Richard II 1595 | 107 |
Julius Caesar 1599 | 138 |
Hamlet 16001 | 163 |
Selective Bibliography | 207 |
Index | 211 |
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Common terms and phrases
Aaron action Antony audience beast becomes blank verse blood Bolingbroke Brutus Caesar Cassius character choric Clarence’s Claudius climax comedy comic confidence conflict conscience contrast course critical curse death divine doth Dover Wilson dramatic dream earlier plays echoes Edward’s emblem emblematic emerges established fact Faerie Queene figure final finally find fire first fit flesh formal fulfil ghost Hamlet hath heaven and hell heroic Horatio human irony julius Caesar kind king Laertes later Lavinia Lucius magnificent Marcus Margaret Mercutio murder night nobility noble obvious Ophelia pattern play’s poetic poetry political Polonius prose Queen Queen Mab question reflection revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy specific speech stage stress structure suggested T. S. Eliot Tamora thee theme thou tion Titer Titus Titus Andronicus tone tragedy tragic utterance verse words