The Red and the White: The Cinema of People's Poland

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Wallflower Press, 2005 - 251 pages
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The Red and the White: The Cinema of People's Poland takes a fascinating look at the history of post-war Polish cinema, and how it was affected by the political, social and cultural upheavals throughout the period 1947-89. This timely study re-evaluates the legacy of Socialist Realism, the representation of the war, cinematic portrayals of national myth and cultural history, literary adaptation and surrealism, and discourses of exile and national identity. Although paying particular reference to the work of Krzysztof Kieslowski and Andrzej Wajda, this book considers the contribution of a wide range of filmmakers, including Jerzy Skolimowski, Krzysztof Zanussi, Agnieska Holland, Andrzej Munk, Jerzy Kawalerowicz, Wojciech Has and Roman Polanski. The volume also includes unique primary archival research into the role of state-sponsored censorship, and coverage of Polish-Jewish representations in film. Among the many films discussed are A Generation, Eroica, Ashes and Diamonds, Family Life, The Promised Land, The Hour Glass Sanatorium, Hands Up!, Decalogue 8, Europa, Europa and The Double Life of Veronique.
 

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Contents

Between Politics and Aesthetics
16
Typical Stories? Socialist? Realism?
48
Censorship in a Hall of Mirrors
74
Heroism MasculinityFeminisationandThe Polish School
116
Representing PolishJewish Relations
155
From the 1970s
188
Copyright

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Roman Polanski
James Morrison
Limited preview - 2007

About the author (2005)

Paul Coates is reader and director of the film studies department at the University of Aberdeen. His books include, The Story of the Lost Reflection: The Alienation of the Image in Western and Polish Cinema (1985) and Lucid Dreams: the Films of Krzysztof Kieslowski (1999).

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