Seeming Knowledge: Shakespeare and Skeptical FaithBaylor University Press, 2007 - 348 pages Seeming Knowledge revisits the question of Shakespeare and religion by focusing on the conjunction of faith and skepticism in his writing. Cox argues that the relationship between faith and skepticism is not an invented conjunction. The recognition of the history of faith and skepticism in the sixteenth century illuminates a tradition that Shakespeare inherited and represented more subtly and effectively than any other writer of his generation. |
Contents
Comic Faith | 33 |
Tragic Grace | 65 |
History and Guilt | 97 |
Politics | 131 |
Ethics | 161 |
Esthetics Epistemology Ontology | 195 |
Shakespeare and the French Epistemologists | 227 |
Notes | 251 |
317 | |
333 | |
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acknowledges action allusions Antony appears argues asserts beginning believe biblical Caesar called Cambridge century chapter characters Christian claim clear clearly closely comedy common concerned contrast Coriolanus critical death deceived Descartes describes drama Duke early effect Elizabethan emphasizes England English English Studies Erasmus Errors Essays evident example expressed faith father forgiveness gives Hamlet Henry Henry’s history plays hope human imagines important influence John Juliet kind King King Lear learned less London Machiavelli means Measure Montaigne moral Moreover nature never offers origin parallel particular Pascal Pericles play’s political possibility prayer Princeton problem question reading reason recognize refers Reformation religious response rhetorical Richard Roman Romeo says scene seems self-deception sense Shakespeare skepticism social soliloquy stage stoic story succession suffering suggests suspicion things thinking thou thought tion Titus traditional tragedy true turn University Press virtue York