 | John Dryden - 1800 - 624 pages
...counterturns of plot, as some of them have attempted, since Corneille's plays have been less in vogue, you sec they write as irregularly as we? though they cover...the English stage. For, if you consider the plots, ouf own are fuller of variety ; if the writing, ours are more quick and fuller of spirit ; and therefore... | |
 | John Dryden, Edmond Malone - 1800 - 591 pages
...quick turn^ and counterturns of plot, as some of them have attempted, since Corneille's plays have been less in vogue, you see they write as irregularly as...when translated, have, or ever can succeed on the 5 A servant in Sir Samuel Tuke's ADVENTURES OF FIVE HOURS ; who is described by the author as " a great... | |
 | John Dryden, Edmond Malone - 1800 - 634 pages
...counterturns of plot, as some of them have attempted, since Corneillc's plays have been less in vogue, you sec they write as irregularly as we, though they cover...why no French plays, when translated, have, or ever con succeed on the 1 A servant in Sir Samuel Tuke's ADVENTURES OF FlVE HOURS ; who is described by... | |
 | John Dryden, Walter Scott - 1808 - 432 pages
...turns and counter-turns of plot, as some of them have attempted, since Corneille's plays have been less in vogue, you see they write as irregularly as...translated, have, or ever can succeed on the English stage. Tor, if you consider the plots, our own are fuller of variety ; if the writing, ours are more quick... | |
 | 1845 - 816 pages
...between the modern English and the modern French drama. " If , you consider the plots," says Neander, " our own are fuller of variety, if the | writing, ours are more quick andj fuller of spirit." And he denies — like ; a bold man as he was — that the Eng- j lish have... | |
 | John Dryden, Walter Scott - 1821 - 442 pages
...turns and counter-turns of plot, as some of them have attempted, since Corneille's plays have been less in vogue, you see they write as irregularly as...and fuller of spirit ; and therefore 'tis a strange mistake in those who decry the way of writing plays in verse, as if the English therein imitated the... | |
 | 1845 - 842 pages
...between the modern English and the modern French drama. " If you consider the plots," says Neander, " our own are fuller of variety, if the writing, ours are more quick and fuller of spirit." And he denies — like a bold man as he was — that the English have in aught imitated or borrowed from... | |
 | 1845 - 816 pages
...between the modern English and the modern French drama. " If you consider the plots," says Neander, " our own are fuller of variety, if the writing, ours are more quick and fuller of spirit." And he denies — like a bold man as he was — that the English have in aught imitated or borrowed from... | |
 | John Wilson - 1846 - 360 pages
...between the modern English and the modern French Drama. " If you consider the plots," says Neander, " our own are fuller of variety ; if the writing, ours are more quick and fuller of spirit." And he denies—like a bold man as he was—that the English have in aught imitated or borrowed from the... | |
 | John Dryden - 1859 - 482 pages
...and counter-turns of plot, as some of them have attempted, since Corneille's plays have heen leass in vogue, you see they write as irregularly as we, though they cover it more speciously. Henco the reason is perspicuous, why no French plays, when translated, have, or ever can succeed on... | |
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... and counter-turns of plot, as some of them have attempted, since Corneille's plays have been less in vogue, you see they write as irregularly as we, though they cover it more speciously. Hence the reason is perspicuous, why no French plays, when translated,... 
