The Works of Shakespeare, Volume 35Methuen, 1918 |
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Page v
... song , and should there- fore be in quotation marks ; also that the remark " Tell me your mind " ( I. v . 212 ) must be given to Olivia . Some sort of argument in favour of the reading Castiliano ( ? Castiglione ) Volto ( I. iii . 44 ) ...
... song , and should there- fore be in quotation marks ; also that the remark " Tell me your mind " ( I. v . 212 ) must be given to Olivia . Some sort of argument in favour of the reading Castiliano ( ? Castiglione ) Volto ( I. iii . 44 ) ...
Page xviii
... songs introduced into Twelfth Night are mostly , as we may judge , Shakespeare's own ; but whatever is known of their history will be found in the notes ; and we now pass on to the next division of the subject . PART II . - Evidence as ...
... songs introduced into Twelfth Night are mostly , as we may judge , Shakespeare's own ; but whatever is known of their history will be found in the notes ; and we now pass on to the next division of the subject . PART II . - Evidence as ...
Page xx
... song ( II . iii . 40-53 ) , " O mistress mine , where are you roaming ? " but here we are not dealing with an item of direct evidence ; a popular song from Twelfth Night may have gained easy admission to Morley's collection . In fact ...
... song ( II . iii . 40-53 ) , " O mistress mine , where are you roaming ? " but here we are not dealing with an item of direct evidence ; a popular song from Twelfth Night may have gained easy admission to Morley's collection . In fact ...
Page xxxviii
... song that dallies with the innocence of love , and in a tavern catch his voice is the loudest ; in brief , he is Shakespeare's ideal fool , and the elaborate exposition of a clown's function in III . i . 61-69 was not assigned to ...
... song that dallies with the innocence of love , and in a tavern catch his voice is the loudest ; in brief , he is Shakespeare's ideal fool , and the elaborate exposition of a clown's function in III . i . 61-69 was not assigned to ...
Page 16
... song , and found as early as Gower . Here it echoes Sir , Andrew's " do you think , " in line 65 . Cf. Lyly , Euphues ( ed . Arber , p . 281 ) , quoted by Holt White , " No , quoth she , I believe you , for none can judge of wit , but ...
... song , and found as early as Gower . Here it echoes Sir , Andrew's " do you think , " in line 65 . Cf. Lyly , Euphues ( ed . Arber , p . 281 ) , quoted by Holt White , " No , quoth she , I believe you , for none can judge of wit , but ...
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Common terms and phrases
Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright