The Works of Shakespeare, Volume 35Methuen, 1918 |
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Page ix
... probably some originals - that suggested to Shakespeare the leading incidents of his drama ; and we 1 See notes on I. i . 5 , 14 , 35 ; I , v . 94 ; v . 375 , etc. b must further expect to trace back to minor sources not INTRODUCTION ...
... probably some originals - that suggested to Shakespeare the leading incidents of his drama ; and we 1 See notes on I. i . 5 , 14 , 35 ; I , v . 94 ; v . 375 , etc. b must further expect to trace back to minor sources not INTRODUCTION ...
Page xvii
... probably worked upon ; I refer of course to Die Schöne Sidea . Returning to Twelfth Night , we next discover that Olivia was a Queen of Thessaly in Part I. of Emanuel Forde's Parismus , the Renowned Prince of Bohemia , and that Violetta ...
... probably worked upon ; I refer of course to Die Schöne Sidea . Returning to Twelfth Night , we next discover that Olivia was a Queen of Thessaly in Part I. of Emanuel Forde's Parismus , the Renowned Prince of Bohemia , and that Violetta ...
Page xxvii
... probably discover that although Twelfth Night is less poetical than the former play , it con- tains more poetry ; at any rate it contains less bad poetry ; we notice an improvement in nearly every department of the INTRODUCTION xxvii.
... probably discover that although Twelfth Night is less poetical than the former play , it con- tains more poetry ; at any rate it contains less bad poetry ; we notice an improvement in nearly every department of the INTRODUCTION xxvii.
Page xxxiii
... probably regarded by the Elizabethans as Italian , and in Twelfth Night as it appears on the stage we have Venetian manners of the seventeenth century . But there is little to identify the locality of the drama with Italy ; in spirit it ...
... probably regarded by the Elizabethans as Italian , and in Twelfth Night as it appears on the stage we have Venetian manners of the seventeenth century . But there is little to identify the locality of the drama with Italy ; in spirit it ...
Page xxxvii
... is to be a poet of the very first rank , and to write it dramatically is something more . See also note on V. 125 ; also Handbook to Shakespeare , p . 6 . at least a suggestion ; he is probably the most INTRODUCTION xxxvii.
... is to be a poet of the very first rank , and to write it dramatically is something more . See also note on V. 125 ; also Handbook to Shakespeare , p . 6 . at least a suggestion ; he is probably the most INTRODUCTION xxxvii.
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright