The Works of Shakespeare, Volume 35Methuen, 1918 |
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Page 5
... metaphor apart - will reach its perilous climax in Julius Cæsar , III . i . 204 , 207 , 208 . 17. the noblest that I have ] i.e. the noblest part of me . After the pun we might expect that the Duke should hunt his heart in line 17 , and ...
... metaphor apart - will reach its perilous climax in Julius Cæsar , III . i . 204 , 207 , 208 . 17. the noblest that I have ] i.e. the noblest part of me . After the pun we might expect that the Duke should hunt his heart in line 17 , and ...
Page 12
... metaphor in " form . ” 56 , 57. sing And speak ] vocal and instrumental , shall we say ? " For " speak " cf. Hamlet , 111. ii . 374 , " It will discourse most excellent music . ' 58. allow ] admit , prove ; for another use of the word ...
... metaphor in " form . ” 56 , 57. sing And speak ] vocal and instrumental , shall we say ? " For " speak " cf. Hamlet , 111. ii . 374 , " It will discourse most excellent music . ' 58. allow ] admit , prove ; for another use of the word ...
Page 22
... metaphors in Shakespeare that recur often , but mostly with some subtle modification . Cf. 1 Henry IV . 1. iii . 188 , and Troilus and Cressida , IV . vi . 60 . 16. access ] with accent on the second syllable . For some time longer ...
... metaphors in Shakespeare that recur often , but mostly with some subtle modification . Cf. 1 Henry IV . 1. iii . 188 , and Troilus and Cressida , IV . vi . 60 . 16. access ] with accent on the second syllable . For some time longer ...
Page 39
... Speak comfortable words , " Richard II . II . ii . 76 , and " Speak ye comfortably to Jerusalem , " Isaiah xl . 2 . 235. by the method ] in language that carries on your metaphor . Oli . O ! I have read it : it SC . v . ] 39 WHAT YOU WILL.
... Speak comfortable words , " Richard II . II . ii . 76 , and " Speak ye comfortably to Jerusalem , " Isaiah xl . 2 . 235. by the method ] in language that carries on your metaphor . Oli . O ! I have read it : it SC . v . ] 39 WHAT YOU WILL.
Page 40
... metaphors " text , ' chap- ter , " and the rest follow on Viola's mention of " divinity . ' 239. Good ... face ] An excellent touch , this ; see note on line 175 . 243 , 244. such . present ] This F reading must still leave room for con ...
... metaphors " text , ' chap- ter , " and the rest follow on Viola's mention of " divinity . ' 239. Good ... face ] An excellent touch , this ; see note on line 175 . 243 , 244. such . present ] This F reading must still leave room for con ...
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Common terms and phrases
Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright