The Works of Shakespeare, Volume 35Methuen, 1918 |
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Page xiv
... figure ; but the " Interlude , " as the Clown styles it , or the " Befooling of Malvolio , " as we perhaps may style it , this , like most of Shakespeare's underplots ( apart from the originals pointed out in the Appendix 2 ) , would ...
... figure ; but the " Interlude , " as the Clown styles it , or the " Befooling of Malvolio , " as we perhaps may style it , this , like most of Shakespeare's underplots ( apart from the originals pointed out in the Appendix 2 ) , would ...
Page 4
... figures ( we may compare Swin- burne , the sounds that shine , " or Shelley , " music spread like light " ) . These principles may guide 66 10 , 11. ] Rowe , etc. , That Nought enters there , F ( see us here , and without further ...
... figures ( we may compare Swin- burne , the sounds that shine , " or Shelley , " music spread like light " ) . These principles may guide 66 10 , 11. ] Rowe , etc. , That Nought enters there , F ( see us here , and without further ...
Page 5
... figure from falconry . Here it may mean , first , " however high above the sea " ; next , it carries on and almost repeats the notion of " valid- ity " ; and is further explained by " falls into abatement " ( line 13 ) . 13. falls ...
... figure from falconry . Here it may mean , first , " however high above the sea " ; next , it carries on and almost repeats the notion of " valid- ity " ; and is further explained by " falls into abatement " ( line 13 ) . 13. falls ...
Page 6
... figure in those days , and very frequent in Shakespeare . 22. pursue me ] The reference is to the fable of Action , which Shakespeare may have derived from Golding's Ovid ( Met . III . 138 sqq . ) ; but we must also compare the ...
... figure in those days , and very frequent in Shakespeare . 22. pursue me ] The reference is to the fable of Action , which Shakespeare may have derived from Golding's Ovid ( Met . III . 138 sqq . ) ; but we must also compare the ...
Page 11
... figure " mellowing , " compare " delivered upon the mellowing of occasion , " Love's Labour's Lost , IV . ii . 72. " Mellow " in our text is surely a predicated adjective , though some pre- fer to regard it as a transitive , others as ...
... figure " mellowing , " compare " delivered upon the mellowing of occasion , " Love's Labour's Lost , IV . ii . 72. " Mellow " in our text is surely a predicated adjective , though some pre- fer to regard it as a transitive , others as ...
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright