The Works of Shakespeare, Volume 35Methuen, 1918 |
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Page xvii
... King ' in Love's Labour's Lost . Shakespeare does not commit this mistake in plays written after 1595 , ” Fleay . But see 1. ii . 24 , note ; also p . xxiii of this Introduction . Tempest - occur in Eden's Historie of Travaile , 1577 ...
... King ' in Love's Labour's Lost . Shakespeare does not commit this mistake in plays written after 1595 , ” Fleay . But see 1. ii . 24 , note ; also p . xxiii of this Introduction . Tempest - occur in Eden's Historie of Travaile , 1577 ...
Page xxii
... King James in 1613 ; and Tyrrwhit added yet another year ; he felt confident that Twelfth Night was written in 1614 , because of its undoubted allusion ( " Nay , if you be an undertaker , " III . iv . 332 ) to the outcry raised against ...
... King James in 1613 ; and Tyrrwhit added yet another year ; he felt confident that Twelfth Night was written in 1614 , because of its undoubted allusion ( " Nay , if you be an undertaker , " III . iv . 332 ) to the outcry raised against ...
Page xxiii
... King's servants . " I have mentioned on a former page that , as in the foregoing entry , the word Malvolio was sometimes chosen as the title of Twelfth Night . 2 As a matter partly of external and partly of internal evidence , we may ...
... King's servants . " I have mentioned on a former page that , as in the foregoing entry , the word Malvolio was sometimes chosen as the title of Twelfth Night . 2 As a matter partly of external and partly of internal evidence , we may ...
Page xxxii
... King Lear and Much Ado about Nothing ; for the movement of the piece is so light and rapid , and the several actions mix so naturally , without per- plexing or confusing each other , that if it were played from beginning to end without ...
... King Lear and Much Ado about Nothing ; for the movement of the piece is so light and rapid , and the several actions mix so naturally , without per- plexing or confusing each other , that if it were played from beginning to end without ...
Page xl
... King , Helena , Parolles ; Theseus , Titania , Bottom ; Don John , Beatrice , Dogberry ; Leontes , Perdita , Autolycus ; Iachimo , Imogen , Gaoler ; Prospero , Miranda , Trinculo . Sometimes , however , we have to reckon with a fourth ...
... King , Helena , Parolles ; Theseus , Titania , Bottom ; Don John , Beatrice , Dogberry ; Leontes , Perdita , Autolycus ; Iachimo , Imogen , Gaoler ; Prospero , Miranda , Trinculo . Sometimes , however , we have to reckon with a fourth ...
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright