The Works of Shakespeare, Volume 35Methuen, 1918 |
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Page xiv
... Clown styles it , or the " Befooling of Malvolio , " as we perhaps may style it , this , like most of Shakespeare's underplots ( apart from the originals pointed out in the Appendix 2 ) , would appear to be of his own invention . For ...
... Clown styles it , or the " Befooling of Malvolio , " as we perhaps may style it , this , like most of Shakespeare's underplots ( apart from the originals pointed out in the Appendix 2 ) , would appear to be of his own invention . For ...
Page xxi
... clown to their serving - man , better to be thus near , and familiarly allied to the time . " " Some such cross - wooing " may be discovered not only in Twelfth Night , but also in others of Shakespeare's earlier plays and in ...
... clown to their serving - man , better to be thus near , and familiarly allied to the time . " " Some such cross - wooing " may be discovered not only in Twelfth Night , but also in others of Shakespeare's earlier plays and in ...
Page xxxviii
... clown's function in III . i . 61-69 was not assigned to Twelfth Night by accident . I have now glanced at the form of the play and at some of its leading thoughts ; my remaining task is to complete the short general estimate with which ...
... clown's function in III . i . 61-69 was not assigned to Twelfth Night by accident . I have now glanced at the form of the play and at some of its leading thoughts ; my remaining task is to complete the short general estimate with which ...
Page xxxix
... clown come next , and none of these touches any heart ; and it's not till we look past them , that we feel the beauty of the characters who stand in the half- light behind . Then we become conscious of a quiet harmony of colour and form ...
... clown come next , and none of these touches any heart ; and it's not till we look past them , that we feel the beauty of the characters who stand in the half- light behind . Then we become conscious of a quiet harmony of colour and form ...
Page 24
... Clown . 35 40 [ Exeunt . Mar. Nay , either tell me where thou hast been , or I will not open my lips so wide as a ... Clown ] For " Jester , " " Fool , " " Clown , " see notes on I. v . 87 , 97 , and III . i . 6 , 64. Douce says that ...
... Clown . 35 40 [ Exeunt . Mar. Nay , either tell me where thou hast been , or I will not open my lips so wide as a ... Clown ] For " Jester , " " Fool , " " Clown , " see notes on I. v . 87 , 97 , and III . i . 6 , 64. Douce says that ...
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Common terms and phrases
Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright