On Producing ShakespeareM. Joseph, 1950 - 335 pages |
From inside the book
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Page 27
... suggest that if this was the attitude of the poet in composition , it might well affect the conception of the actor ... suggests the way in which a speech is intended to be uttered more clearly than does the more ' logical ' punctuation ...
... suggest that if this was the attitude of the poet in composition , it might well affect the conception of the actor ... suggests the way in which a speech is intended to be uttered more clearly than does the more ' logical ' punctuation ...
Page 34
... suggests that the only person who can control and synchronise the complicated movements and numerous personnel ( both on and off stage ) of that scene is — most appropriately - Prospero himself , standing aloft in front of the Musicians ...
... suggests that the only person who can control and synchronise the complicated movements and numerous personnel ( both on and off stage ) of that scene is — most appropriately - Prospero himself , standing aloft in front of the Musicians ...
Page 193
... suggests that some mannerism or cast of personality in his fellow players prompted Shakespeare to give such individual life and vitality to many minor rôles . One notices a practical common sense in the handling of limited manpower ...
... suggests that some mannerism or cast of personality in his fellow players prompted Shakespeare to give such individual life and vitality to many minor rôles . One notices a practical common sense in the handling of limited manpower ...
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Common terms and phrases
acting action actors Alarum appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised Window-Stages